BOOK(S): The Protest Singer: An Intimate Portrait of Pete Seeger by Alec Wilkinson
POEM: The Spring by Delmore Schwartz
QUOTE: "There is hope for the world." ~ Pete Seeger
OPTIMISTIC VOICES You're out of the woods, you're out of the dark, you're out of the night. Step into the sun, step into the light. Keep straight ahead for the most glorious place on the face of the earth or the sky. Hold onto your breath, hold onto your heart, hold onto your hope. March up to the gate and bid it open...
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11:59 PM
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Labels: Alec Wilkinson, Allan M. Winkler, birthday, David King Dunaway, Delmore Schwartz, Pete Seeger
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7:30 PM
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Labels: Bob Dylan, Earth Day, Joanna Macy, John Seed, Mary Oliver, Pat Fleming
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10:00 AM
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Labels: blueberries, Diane Lockward, Fats Domino, Robert McCloskey, Star Maker Machine, Wendell Berry
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11:59 PM
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Labels: birthday, Dar Williams, Lynn Ungar, Menachem Mendel Schneerson, Pete Seeger, Richie Unterberger
We had a lovely Easter Sunday yesterday - my son Rob worked, getting home about 5-ish, and we ate a bit before 6 (Eric was home from college for the weekend). I made Poppyseed Chicken (my sister's recipe), brown rice, steamed broccoli, steamed carrots with dill weed and a homemade apple cobbler for dessert - Sarah and I even dyed Easter eggs. I never made it out walking... but figured I could use a bit of a break, since I had followed through the previous six days in a row - so proud of myself!
We hung out until about 10, watching the first half of The Sound of Music (thus the synchronicity of the above YouTube video appearing in my inbox today)... and then Sarah headed home and the boys went out together - I watched some mindless TV and fell asleep on the couch, exhausted after the whirlwind weekend (my Labyrinth Cafe concert, with one of the artists staying with us Friday and Saturday night)...
Today has been an attempt to catch up: laundry, putting the Ozfice back in place (folding up sleep couch, etc.), finishing the dishes I let soak in the sink last night - I still need to get in my walk... and work seriously on the local Pete Seeger event as well as write the Order of Service for my UU Earth Day service this Sunday. I also took Reba out to lunch as she leaves tomorrow to head back to her home in Maryland - I'll miss her...
SONG: Do Re Mi, as sung by Julie Andrews and children in The Sound of Music
BOOK: The Mysticism of Sound and Music by Hazrat Inayat Khan
POEM: Snow Geese by Mary Oliver
Oh, to love what is lovely, and will not last!
What a task
to ask
of anything, or anyone,
yet it is ours,
and not by the century or the year, but by the hours.
One fall day I heard
above me, and above the sting of the wind, a sound
I did not know, and my look shot upward; it was
a flock of snow geese, winging it
faster than the ones we usually see,
and, being the color of snow, catching the sun
so they were, in part at least, golden. I
held my breath
as we do
sometimes
to stop time
when something wonderful
has touched us
as with a match,
which is lit, and bright,
but does not hurt
in the common way,
but delightfully,
as if delight
were the most serious thing
you ever felt.
The geese
flew on,
I have never seen them again.
Maybe I will, someday, somewhere.
Maybe I won't.
It doesn't matter.
What matters
is that, when I saw them,
I saw them
as through the veil, secretly, joyfully, clearly.
QUOTE: "As your faith is strengthened you will find that there is no longer the need to have a sense of control, that things will flow as they will, and that you will flow with them, to your great delight and benefit." ~ Emmanuel
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6:40 PM
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Labels: Emmanuel, Hazrat Inayat Khan, joy, Julie Andrews, Mary Oliver, music
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2:40 PM
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Labels: Barbara Crooker, Bern Williams, Dar Williams, Ellis Peters, Gary D. Schmidt, Spring, Star Maker Machine, Susan M. Felch
April 1 is most certainly April Fool's Day... but it is also the beginning of National Poetry Month:
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9:15 PM
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Labels: Elaine Bleakney, Kahlil Gibran, Kris Delmhorst, Pamela Spiro Wagner, poetry, Star Maker Machine
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11:59 PM
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Labels: Carl Jung, children, Danny Schmidt, Jay Hopler, Wally Lamb
Tuesday, March 10 was the official CD Release of Danny Schmidt's Instead the Forest Rose to Sing... and this past Saturday, March 14, I had the honor of presenting him (in a co-bill with Nick Annis) in my concert series - it's taken me this long to revive my vocabulary in order to write about the magical weekend!
I've spoken of my love for Danny Schmidt's music throughout this blog - he is as dear as he is talented, a sentiment reinforced during his recent stay. He made a point to show up early so we had time to visit before driving to the Labyrinth Cafe later that day - he also offered to help chop or stir, as he was keeping me company in the kitchen while I made a batch of pasta primavera for the performers and volunteers (I didn't let him... but still... :-)
I had e-mailed Danny a few weeks before the gig, telling him how much, and why, I loved the song Accidentally Daisies on his new CD - I also mentioned that Elizabeth, who was accompanying Nick the night of the show, played fiddle/violin and, with Danny's blessing, I could drop her a note asking her to work up a string part for the second half of the song (stating of course no pressure/no worries if not). What could have turned into a "train wreck" (Danny's words) evolved into a stunning collaboration which meant the world to me - when the threesome (Danny, Elizabeth and Nick) did his Company of Friends as their encore, I had goosebumps on top of goosebumps...
We all later segued to Peter Pan Diner (a post-concert tradition) for food and chat, Danny and I getting home very late, only to have to rise early the next morning, Danny to drive to Tampa for a house concert and me to head to church to facilitate a service - before he left, I asked him to sign a CD for a friend and a poster for me... and I gave him a present to pass on to his sweetie who had inspired the song: a small bowl from my wedding china, with a border of daisies (thanks, CE... :-)
I've said it before and I'll say it again - I am a very blessed and lucky woman...
P.S. SMM here, here, here, here and here...
SONG: Better Off Broke by Danny Schmidt
BOOK: Money, and the Law of Attraction: Learning to Attract Wealth, Health, and Happiness by Esther Hicks, Jerry Hicks
POEM: The Moment by Margaret Atwood
The moment when, after many years
of hard work and a long voyage
you stand in the centre of your room,
house, half-acre, square mile, island, country,
knowing at last how you got there,
and say, I own this,
is the same moment when the trees unloose
their soft arms from around you,
the birds take back their language,
the cliffs fissure and collapse,
the air moves back from you like a wave
and you can't breathe.
No, they whisper. You own nothing.
You were a visitor, time after time
climbing the hill, planting the flag, proclaiming.
We never belonged to you.
You never found us.
It was always the other way round.
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3:45 PM
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Labels: Danny Schmidt, Esther Hicks, Jerry Hicks, Margaret Atwood, money, Samuel Johnson, Star Maker Machine
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11:59 PM
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Labels: Allan Peterson, Friday the 13th, Richard Webster, Stevie Wonder, superstition
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2:05 PM
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Labels: David Shumate, G. K. Chesterton, Jeff Brouws, Richard Steinheimer, Star Maker Machine, Todd Snider, train
From Thursday's TUT (Totally Unique Thoughts):
Simply imagine happiness, Susan, your own happiness. Feel the smile stretching across your face, notice the lightness in your step, hear the sparkle in your voice, and all things, material and spiritual, will dance to the beat of your drums.
Happy Thursday! The Universe
You smiled didn't you, Susan? Just be careful with those sparkles so close to the drums.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I've been working on this blog entry for days, but keep getting distracted (look, something shiny!) - I'm still in "full plate" mode, feeling as if I'm doing lots of things poorly.
However, one thing I *do* excel at is The Power of Positive Thinking - when a friend sent me the above video, I knew it was the jumping-off place for a future post (and here we are) - wish I had the time/energy to add more of my own words... but I'll just ask you to read between the lines... :-)
P.S. SMM here, here, here, here and here...
SONG: Shiny Happy People by R.E.M.
BOOK: Happy for No Reason: 7 Steps to Being Happy from the Inside Out by Marci Shimoff
POEM: The Guest House by Rumi
This being human is a guest house.
Every morning a new arrival.
A joy, a depression, a meanness,
some momentary awareness comes
as an unexpected visitor.
Welcome and entertain them all!
Even if they're a crowd of sorrows,
who violently sweep your house
empty of its furniture,
still, treat each guest honorably.
He may be clearing you out
for some new delight.
The dark thought, the shame, the malice,
meet them at the door laughing,
and invite them in.
Be grateful for whoever comes,
because each has been sent
as a guide from beyond.
QUOTE(S): " A happy person is not a person in a certain set of circumstances, but rather a person with a certain set of attitudes." ~ Hugh Downs
"I have found that if you love life, life will love you back." ~ Arthur Rubinstein
"It's snowing still," said Eeyore gloomily. "So it is." "And freezing." "Is it?" "Yes," said Eeyore. "However," he said, brightening up a little, "we haven't had an earthquake lately." ~ A.A. Milne
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6:40 PM
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Labels: A.A. Milne, Arthur Rubinstein, happiness, Hugh Downs, Marci Shimoff, optimism, R.E.M., Rumi, Star Maker Machine
Joan Baez: 50 years of music to move you
Folk singer-activist discusses new hope, new songs, new film
By Chris Boeckmann
Sunday, March 1, 2009
Put simply, Joan Baez is a legend. She might hate the title, she might think she doesn’t live up to it, but it’s true. Baez helped bring folk — female folk music especially — to the mainstream, and along the way, she was courageous enough to stand up for a number of noble causes.
Early in her career, she stood next to Martin Luther King Jr. Later on, she did the same with farm workers, supporters of Harvey Milk and environmental activists.
Musically, she is known as a master interpreter and gifted songwriter. Now at age 68, she is in her 50th year as a musician, and she’s touring the country. On March 16, Baez comes to the Missouri Theatre Center for the Arts.
She says she’ll play a mixture of songs from all points of her long, busy career. The Tribune talked to Baez on the phone early this week; Baez was in Austin, Texas, at the time.
Tribune: Before I started doing more research, I had pegged you as an optimist. Do you come across that a lot?
Baez: I come across it, but I’ve never been an optimist. (She laughs.) I think human nature would show otherwise. Being a non-optimist has never really interfered with the things I do. I see hope here and there, and I’ve seen human behavior do some pretty wonderful things.
Tribune: You talk about your lack of optimism in an article from The Guardian; that article is from 2006, in the middle of the Bush presidency. Now President Barack Obama, whom you openly supported, is in office. Are you any more optimistic now?
Baez: Obviously, there’s been a sea change. There’s been a huge atmospheric change for everybody in the world, so yeah, I certainly buy the word “hopeful” in a way that I never have in the past, except perhaps when I worked with Dr. King and when I’ve worked on smaller projects when the word “hope” was in accordance with the size of the project.
Tribune: Why do you play music?
Baez: I guess because I can. I guess at age 13, somebody handed me a ukulele, and I discovered I could make tunes on it and sing to it, and within a year, I developed sort of a distinct sound, y’know, for a kid, and I liked it. It provided something interesting for me in a situation I was not very happy in, which was school. So I began to spend more and more time with my little ukulele, and my voice developed, I didn’t ever have plans for anything, but I moved in that direction because I liked it.
Tribune: What about today? Why do you still play?
Baez: I think that when my voice begins to really stop functioning properly, that will be the time for me to stop singing. But the fact is that over these years, luckily the voice has held up because really as the years go by I enjoy it more and more. When I was younger, I was so fraught with problems and age fright and feeling I had to be more than I was and carrying the world on my shoulders — everything that could interfere with you having a wonderful time on the stage was there. And now due to the years and due to a lot of therapy, it’s really not there anymore, so I can sing and have wonderful music and travel on a bus that I love. It makes up for a lot of difficulties I had earlier.
Tribune: For you, what sort of differences are there between touring, say, 40 years ago and today?
Baez: Well, I used to run through the airport with my guitar 50 years ago and catch planes. I was all alone, I didn’t know what a tour manager was. I had a sort of semblance of a manager, but we had no contract, and I was flying, so that was a miserable experience (laughing). But eventually I had musicians playing with me, eventually I traveled in a bus, and it was all a really long process. Now we have no maintenance, we have the right musicians and the right manager and the right driver. It’s just a completely different situation.
Tribune: How do you choose songs to interpret?
Baez: I just choose a song that’s usually how I think and feel and hear. Sometimes it’s a song I don’t even understand. I’ve never really understood why I pick songs. I’m sure there are very different reasons, some of them are obvious right off, like the song “Day After Tomorrow,” which has so many things that remind me of me. And sometimes there are songs that are beautiful that I know aren’t for me; it’s been that way my whole life.
Tribune: Do you listen to much new music?
Baez: I don’t keep up with new music, I’m sure of that. When most people grow up, they turn into horrible parents and they say, “Ugh, what’s that you’re listening to?” to their kids, and I’m probably in that same category, except my kid plays African music. And he plays very, very current West African music, so in that sense, I’m very current in some kinds of music. But what I listen to? It completely varies. I’ve looked at my iPod, and what I’ve been listening to for the past month is either opera or Willie Nelson. (She laughs.)
Tribune: When this article comes out, we’ll be celebrating our city’s documentary film festival. I know you’ve shown support for Michael Moore and appeared in multiple documentaries. Do you watch many?
Baez: I’m in the process of making my own. I’m in my 50th year, and I’m sure that’s why we’re doing it. Rather than having talking heads, half of the interviews are just conversations with me and different people — like my ex-husband about the draft in the military, like the president of the Czech Republic because I knew him before the revolution. Let’s see, Jackson Browne is great, just sitting and talking, Dar Williams sitting and talking — and she wonderful, y’know, she’s funny and fun. And my father was a camera buff when he was quite young, so we have extraordinary footage of stuff that either he took or he handed the camera to somebody. There’s footage of him and my mom coming out of a church right after getting married. So it’s really rich with material.
Tribune: So what stage are you at?
Baez: I think we’ll have more footage of comments and maybe a couple more interviews. But we’re just about through, and it should be out in the fall.
Tribune: Wow, cool. Are you going to aim for festivals?
Baez: Yes, I think I’ll be at festivals.
Tribune: Are there any particular films that inspired this one?
Baez: No, not really, just my life.
Tribune: Besides the documentary and touring, what other plans do you have for the near future?
Baez: Spending a lot of time with my family. I didn’t spend enough time with them in the ’60s and ’70s. My mom is 95, and my granddaughter is 5. They’re a big part of my schedule.
Tribune: So I’m guessing you spend a lot of time on the phone?
Baez: Talk a lot about them in the show?
Tribune: No, talk to them on the phone, while you’re on tour.
Baez: I’m not hearing you again.
Tribune: Oh, I was just saying that when you’re on the road, you probably spend a lot of time talking on the phone.
Baez: (Laughter) Yeah, I do. Right now my son is with me. He plays percussion.
Tribune: I’ve read some very positive reviews. It looks like the tour is going well.
Baez: Oh, really, really well. We just love it. It’s just so simple. These musicians are just top, top quality, and we really care for each other a lot, so all the way around it’s a pretty wonderful experience.
Tribune: What kind of crowd do you draw?
Baez: It varies from show to show, from country to country. In Europe they’re much younger. Here there are some younger, but the majority are my age or somewhat younger. But over these past 10 years, there have been more younger people.
Tribune: Do you think folk will continue to thrive?
Baez: Yeah, I do. It’s sort of a goofy phenomenon that I’m here in the first place after 50 years — what’s even goofier is that they are.
Chris Boeckmann is a freelance music reporter. He can be reached at chrisboeckmann@gmail.com
Make sure you watch/listen to the YouTube post all the way to the end - the last lyric of the song when first written was "and if you're offering me diamonds and rust ...I've already paid"... which segued over the years to "...I'll take the diamonds" which is now "...I'll take the Grammy" (ha!).
I've always been a Joan Baez fan... and I credit her for "introducing" me to Dar Williams, whose You're Aging Well I first heard on Joan's 1995 Ring Them Bells CD... and was instantly captivated, needing to know more - and the rest, as they say, is herstory. I love Joan's covers of Dar, as well as Richard Shindell and Dave Carter, her activism and her ability to age gracefully - to paraphrase Gloria Steinem, this is what 68 looks like... :-)
Thanks to sharon for her heads-up post to the Dar-list about the Baez article!
P.S. SMM here and here...
SONG: Diamonds and Rust by Joan Baez
BOOK: And a Voice to Sing With: A Memoir by Joan Baez
POEM: For What Binds Us by Jane Hirschfield
There are names for what binds us:
strong forces, weak forces.
Look around, you can see them:
the skin that forms in a half-empty cup,
nails rusting into the places they join,
joints dovetailed on their own weight.
The way things stay so solidly
wherever they've been set down --
and gravity, scientists say, is weak.
And see how the flesh grows back
across a wound, with a great vehemence,
more strong
than the simple, untested surface before.
There's a name for it on horses, when it comes back darker and raised:
proud flesh,
as all flesh
is proud of its wounds, wears them
as honors given out after battle,
small triumphs pinned to the chest --
And when two people have loved each other
see how it is like a
scar between their bodies,
stronger, darker, and proud;
how the black cord makes of them a single fabric
that nothing can tear or mend.
QUOTE(S): "Action is the antidote to despair." ~ Joan Baez
"It seems to me that those songs that have been any good, I have nothing much to do with the writing of them. The words have just crawled down my sleeve and come out on the page." ~ Joan Baez
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11:30 AM
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Labels: Dar Williams, Joan Baez, Star Maker Machine