Showing posts with label Susan Werner. Show all posts
Showing posts with label Susan Werner. Show all posts

Monday, September 14, 2020

Red Dress (Susan Werner)

I seem to have gone MIA for the last 11 days.  Everything's fine (better than fine, actually); no mullygrubs here.  I just lost my concentration!  Recap, then moving forward... 😍

I placed a Publix Liquors Instacart order last week, mainly for a bottle of Kahlua that my husband splashes into his coffee every morning.  Hey, he's retired.  Anyway, the minimum for free shipping is $35.00 and I needed another $10.00 to qualify.  Looked around on the website and ended up choosing a bottle of Long Island Iced Tea, which was so random until I remembered that my mother's birthday was September 9 (a few days away) and that was the drink of tradition whenever she and her Besties went out to dinner.  I told Sarah about it, and she and I will get together soon, whereupon we will toast Connie/Mom/Mimi.  Hard to believe that this past July 19, it will be 11 years since her passing, and this would have been her 90th birthday.

Watched The Dedicated Concert, a livestreaming Dar Williams event last Thursday.  It was so beautiful, with all the sweet dedications from her fans to friends, partners, etc., some delivered live, some via Dar, and others written in the comments and/or scrolled across the bottom of the screen.  Lovely!

Finished cleaning out Reba's apartment, and showed up Friday (with my coffee, peanut butter and banana sandwich, and phone)  to wait for the donations pick-up, with a 9:00 a.m. to 1:00 p.m. window of opportunity.  Fortunately they showed up at 11:00 a.m., so now everything is out of there, the cleaning lady can come, and R can then turn it back over to the leasing office.

This past Saturday was my last visit to the chiropractor, the end of my one-month/12-week/three-times-a-week treatment plan.  My sciatica, as well as my neck, has improved substantially since I first started going mid-August (according to x-rays and thermal scans at the beginning and again at the end), and the doctor recommended I continue, and they offered me a follow-up once-a-week, three-month plan, but it's hard to justify the money.  I brought them a basket of wonderful vegan goodies with an effusive thank you card (under different circumstances, there would have been hugs)... and from here on out, I have committed to keep up with everything on my own:  stretches, massage, cervical fulcrum, cordless massager (no, not a Rabbit... ;-), walking, Arnica/CBD cream or salve, better posture, hold phone up at eye level rather than looking down, etc.  I can do this!

Lots of rain this past weekend (a precursor to what is now Hurricane Sally), and met up with Sarah and Colin at TreeTops Park for a puddle-jumping adventure (all of us wearing our galoshes), and Colin took it to mean total immersion.  He was so waterlogged that Sarah had to strip him down completely to put him in the carseat... :-)

Tonight at 6:00 p.m. I am virtually attending a Grassroots Fundraiser with Kamala Harris, Hillary Clinton, Amy Poehler and Maya Rudolph.  Go here for more info; registration is required.

P.S.  You really must try the vegan oatmeal-raisin cookies from Whole Foods, and here's the recipe!  So. Much. Cinnamon... 💓

NR:  Death in Her Hands by Ottessa Moshfegh (I am about a third of the way through, and the proverbial jury's still out).


SONGRed Dress by Susan Werner


BOOK:  
Danger in a Red Dress 
by Christina Dodd

POEM:  The Cure by Ginger Andrews


Lying around all day
with some strange new deep blue
weekend funk, I'm not really asleep
when my sister calls
to say she's just hung up
from talking with Aunt Bertha
who is 89 and ill but managing
to take care of Uncle Frank
who is completely bed ridden.
Aunt Bert says
it's snowing there in Arkansas,
on Catfish Lane, and she hasn't been
able to walk out to their mailbox.
She's been suffering
from a bad case of the mulleygrubs.
The cure for the mulleygrubs,
she tells my sister,
is to get up and bake a cake.
If that doesn't do it, put on a red dress.

QUOTE:  "
Gossip is just news running ahead of itself in a red satin dress." ~ Liz Smith

Sunday, March 22, 2020

Together (Susan Werner)

I am a long-time UU (Unitarian Universalist).  Giving up the 14-year Labyrinth Cafe concert series allowed me new spiritual freedom, and I recently left the congregation I joined in March 2003 to begin attending one a little bit closer, not just for the proximity, but mainly because I've known the minister there for 20 years (even before she was a minister!).  These new members are a bit of a younger demographic, lots of kids in their RE (Religious Education) program, and everyone so very vibrant and engaged!

Obviously, with this pandemic, people are not gathering in person anymore, and this morning was our first online worship.  It was already scheduled to be the Annual Poetry Service and, given that poems have the power to soothe and heal, they kept it on the agenda with, appropriately enough, the theme of Abundance.

I went up to the church this past Monday to record my selection (don't worry, the half-dozen of us practiced social distancing!), and prefaced my reading with this introduction:

"I have been a follower of Joy Harjo's poetry for decades.  She was named U.S. Poet Laureate in June 2019, and it was a joy and an honor to see and hear her at the Miami Book Fair this past November.  Little did I know, way back on February 1 when I submitted this poem for inclusion in the River of Grass Poetry Service, how relevant it would be."

I logged on through the Zoom platform, which I have never used before, about 30 minutes early, to make sure I figured out how (I did!), and at 10:30, the service began.  It flowed so smoothly (kudos to Zena for coordinating, and Rebecca for her tech work), from one pre-recorded segment to another:  piano pieces, the lighting of the chalice, our covenant reading, Rev. Amy's heartfelt transition prayers, and then readers of the poems.  Amy ended with the Lynn Ungar (another UU minister) poem and, after the chalice extinguishing, the group was unmuted, and we were able to say hello to each other, wave, and speak.  Also, there was a live chatbox throughout, where we could type our thoughts (Joys and Concerns, etc.).  I cried through just about the whole thing.  


I do feel proud to have conquered my technoweenie self to participate, and I look forward to future Sundays, until the day we are able to gather... Together... again.

P.S.  Also, this by author John Green.  Wow!



SONG:  Together by Susan Werner

BOOK:  A Handbook for Badass Spiritual Warriors: Eleven Powerful Practices To Ignite your Spiritual Connection by Corinne Lebrun M.S.

POEM(s):  Perhaps the World Ends Here by Joy Harjo

The world begins at a kitchen table. No matter what, we must eat to live.

The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.

We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.

It is here that children are given instructions on what it means to be human. We make men at it, we make women.

At this table we gossip, recall enemies and the ghosts of lovers.

Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.

This table has been a house in the rain, an umbrella in the sun.

Wars have begun and ended at this table. It is a place to hide in the shadow of terror. A place to celebrate the terrible victory.

We have given birth on this table, and have prepared our parents for burial here.

At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.

Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite. 


Pandemic by Lynn Ungar

What if you thought of it
as the Jews consider the Sabbath—
the most sacred of times?
Cease from travel.
Cease from buying and selling.
Give up, just for now,
on trying to make the world
different than it is.
Sing. Pray. Touch only those
to whom you commit your life.
Center down.

And when your body has become still,
reach out with your heart.
Know that we are connected
in ways that are terrifying and beautiful.
(You could hardly deny it now.)
Know that our lives
are in one another’s hands.
(Surely, that has come clear.)
Do not reach out your hands.
Reach out your heart.
Reach out your words.
Reach out all the tendrils
of compassion that move, invisibly,
where we cannot touch.

Promise this world your love–
for better or for worse,
in sickness and in health,
so long as we all shall live.

QUOTE:  "Anybody can observe the Sabbath, but making it holy surely takes the rest of the week." ~ Alice Walker

Thursday, June 5, 2008

Barack Obama, Get Happy (Susan Werner)



From MoveOn.org:

[Tuesday] night Senator Obama locked up the nomination.

Amazing.

After years of DC insiders running the show, a progressive candidate who started in politics through community organizing, who unequivocally opposed the war in Iraq, who isn't afraid to stand up to the politics of fear, an African-American, became the Democratic nominee for president.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The great Barack Obama insurrection
Hillary was ready. Hillary was unstoppable. Hillary was, by all accounts, a lock. What the hell happened?

By Mark Morford, SF Gate Columnist
Friday, May 30, 2008

Are you paying any sort of attention to this moment in time? Are you reading bits and hints about the transformation, the shift, the unusual and slightly surreal energy coursing through the nation? Are you tattooing this seminal period on the sacrum of your sociopolitical consciousness? Are you under 50? Then there's been nothing else like this in your lifetime. And there probably never will be again.

You gotta take it all in, you know? Because it was no time at all ago, less than a year, and Hillary Clinton's presidential nomination was pretty much a given, and even I was relatively thrilled and gung-ho for her candidacy, especially given how she was so ahead in the polls and so ahead in fund raising and so ahead in public opinion her imminent nomination felt much like a slam dunk, a forgone conclusion, a sure thing.

And therefore it was all something rather otherworldly for progressives, a bit unprecedented, a Democratic race to watch only for the sheer historic value and for the surprising quality of the other candidates involved, and not because there was any doubt as to the eventual outcome.

Just a bit beyond incredible, then, what has happened since, in such a short time, in this, one of the more fascinating turning points in American history.

It almost cannot be understated: Barack Obama's steady, astounding, almost inexplicable rise to the top to not only become the presumptive Democratic nominee but also to overtake one of the strongest, smartest, most well-funded, tenacious rival candidates in American history — and also to out-poll his deeply connected Republican opponent — is both remarkable and historic on a number of fronts.

But the thing is, no matter how you crunch the data and try to logically analyze all the components that made Obamapalooza happen, there appears to be something just beyond the logic, just outside the normal machinery, that makes you shake your head in amazement, and perhaps remember this forever.

On one level, I suppose it's not all that unusual. There have been plenty of scrappy, outta-nowhere, come-from-behind victories in political races before. There are plenty of tales of one candidate holding an overwhelming lead early on, only to have his lunch eaten by some brilliant, whippersnapper upstart. JFK charmed the hell out of the planet and revealed the deep sourness of once-omnipotent Richard Nixon. Bill Clinton, the handsome, populist Arkansas governor with minimal big-stage experience but loads of effortless charisma, came from seemingly nowhere to build a phenomenal following and stomp all over the doddering, baffled, how-much-is-a-gallon-of-milk Bush 41.

But with Obama, as with just about everything about his campaign, something feels different, more historic, deeper and more profound and even a bit more, how do you say, intimate. It is not politics as usual. It is not just another smart, deeply intelligent upstart senator making a surprising play for The Show.

You have to take note. Because Obama has accomplished his astonishing rise without the normal weaponry of American politics. As of yet, there have been almost no dirty tricks. He has not really attacked Hillary, has not "gone negative" or run a nasty smear campaign or
swiftboated her; he has not employed, in short, any of the disgusting tactics Karl Rove's Republican party notoriously used against Al Gore and John Kerry so as to lie themselves into a brutal and failed chokehold of power.

Verily, plethoric are the pundits who've been trying to parse just why, exactly, Obama has been so much more effective, so much more far-reaching and cross-cultural than the once-unstoppable Clinton, not to mention McCain or anyone else. What is it about him, exactly? What is it that draws such a broad circle of endorsements, from Ted Kennedy to Andrew Sullivan, John Edwards to former Labor Secretary
Robert Reich?

It's the networking, they say. Obama is the first "
Facebook candidate." He's the first to successfully leverage all the modern tech, the viral marketing, YouTube, Web 2.0, lovely videos by celebrity rappers who are nearly moved to tears by the man's speeches. Yes, that must be it.

Or maybe it's his remarkable, idealistic team of aides, his hotshot fresh-faced speechwriters, his wondrous oratory skill. Is it the cool campaign posters? Is it the game-altering speeches on race in America? Or is it what the terrified right-wing hatemongers are calling "liberal guilt," the feeling that we on the whiny tree-hugging ultra-PC left feel so gosh-darn guilty about how blacks, Hawaiians and Harvard-trained lawyers have been treated, lo, these many millennia — even more so than the oppressive treatment of women — that Obama gets our vote out of sheer nervous remorse?

Problem is, those explanations feel insufficient and inadequate and, in the case of that last one, exceedingly stupid. Is there not something else going on? Is there more to it than just a battle between old school/new school styles of campaigning?

Maybe the answer lies elsewhere. Maybe you need to look to the dark side for a hint, for a bit of proof that there's more to this moment in history than mere shifting times. It comes in the form of that very ugly and violent rumor that gets whispered among skeptics and conspiracy theorists and joked about by cretins on Fox News, and even sighed by many otherwise happy, progressive idealists, those who've had their dreams shattered and hopes pummeled enough times that a form of sinister cynicism creeps in.

It is this: Some feel Obama will not survive. There are those who think something violent and lethal is bound to happen to him and not merely because he's black, but because he's too revolutionary, too much a force for harmony and peace, and the forces of darkness and oppression in America, be they troglodytic Southern racists or anarchist radicals or insular BushCo die-hards, simply cannot have that.

There is no need to invite that repulsive idea in for long. It is too dark, disquieting, pointless, not to mention how it feels like it could create some sort of self-fulfilling prophecy by mentioning it too damn much in the media. But it is worth noting for one curious aspect: It is a fear borne of a truly rare historic circumstance, the amazing idea that someone like Obama is, to put it bluntly, too good for this particular role, a bit too conscious and enlightened for what is a brutal and soul-numbing and potentially deadly political machine.

Then again, maybe, in a morose way, this is how we know transformative change is arriving, perhaps quicker than expected, but arriving nonetheless. We're already deeply scared of losing it. Really, how long's it been since we've felt anything like that?

SONG: Barack Obama, Get Happy by Susan Werner

BOOK:
The Audacity of Hope: Thoughts on Reclaiming the American Dream by Barack Obama

POEM: A Morning Offering by John O'Donohue

I bless the night that nourished my heart

To set the ghosts of longing free

Into the flow and figure of dream

That went to harvest from the dark

Bread for the hunger no one sees.


All that is eternal in me

Welcome the wonder of this day,

The field of brightness it creates

Offering time for each thing

To arise and illuminate.


I place on the altar of dawn:

The quiet loyalty of breath,

The tent of thought where I shelter,

Wave of desire I am shore to

And all beauty drawn to the eye.


May my mind come alive today

To the invisible geography

That invite me to new frontiers,

To break the dead shell of yesterdays,

To risk being disturbed and changed.


May I have the courage today

To live the life that I would love,

To postpone my dream no longer

But do at last what I came here for

And waste my heart on fear no more.

QUOTE: "If we are willing to work for it, and fight for it, and believe in it, then I am absolutely certain that generations from now, we will be able to look back and tell our children that this was the moment when we began to provide care for the sick and good jobs to the jobless; this was the moment when the rise of the oceans began to slow and our planet began to heal; this was the moment when we ended a war and secured our nation and restored our image as the last, best hope on Earth." ~ Senator Barack Obama

Sunday, August 12, 2007

Our Father (The New, Revised Edition) ~ (Susan Werner)

I love, love, love the new Susan Werner CD... having bought four copies so far because I keep giving them away - she's coming to South Florida in March... and I'm going to try to persuade her to do the music for the next day's Sunday service, drawing from these wonderful tunes (right up our UU alley... :-)

Susan Werner's "The Gospel Truth" is a socially conscious, contemporary gospel album that balances the faithful and the agnostic. The infectious joy of gospel music, with lyrics anybody - or, almost anybody - can agree with - and sing along to....

In the summer of 2006, as if the muse was tugging on her heartstrings, singer-songwriter Susan Werner attended the Chicago Gospel Music Festival in her adopted hometown for the first time. The overwhelming, ecstatic energy of the event prompted her friend Kenni to remark, "Wow, is there a way you can get all this joy, but without the Jesus?" This honest question sparked a remarkable creative odyssey that led Werner to pews in over 20 churches across the United States in search of The Gospel Truth, a groundbreaking independent collection that may just be the world's first agnostic gospel recording.

Tapping fearlessly into the zeitgeist of contemporary American religious culture, the eleven songs on The Gospel Truth are both heartfelt and incisive, biting yet optimistic, drawing from Werner's own personal spiritual questions to engage the Christian community at large. Addressing those tough universal doubts that fundamentalists surely have but wish to God they could verbalize; Werner seeks common ground with her traditional religious counterparts in finding solutions to the issues that divide America.

Fresh off the success of I Can't Be New, her critically acclaimed 2004 collection of all-original compositions done in the Great American Songbook style, Werner's road to truth is paved by both witty observations of Christian culture and, musically, an ongoing love for classic gospel, country and bluegrass traditions. Just as she immersed herself in the songs of Gershwin, Cole Porter, et al and the classic interpretations by Julie London as part of her creative process on I Can't Be New, Werner this time was tireless in mining inspiration from legendary and contemporary country, gospel and bluegrass artists, from familiar names like The Carter Family and The Stanley Brothers, to the lesser known Claire Lynch and Fern Jones (the co-called Patsy Cline of gospel).

"Someone suggested I do a blues album for my next project, and while toying with the idea, I came across the music of Blind Willie Johnson, a bluesman from the 1920's whose music went beyond 'my baby done left me' and into what you might call gospel blues. I liked his sense of transcendence, the spirit of conveying something beyond his own heartbreak. Then I attended the Chicago gospel festival and the energy of the music, the choirs was unlike anything I'd ever experienced."

A farm girl, raised in a large Catholic family in rural Iowa, Werner spent years caught in the spiritual middle between a healthy religious skepticism and a true appreciation for all that Christianity means to millions of people in the United States. "For me, The Gospel Truth is the most American of Americana projects," she says. "My personal doubts aside, religion gives us much of our energy as a nation, and is a source, I think, of the beautiful naiveté we have about truly being a force of good in the world. It's part of the American personality. And I don't necessarily feel I have to get right with God, but I figure we have to somehow get all right with God because God's not leaving American life anytime soon.

"People all over the world want to give meaning to their life's journey and engage in a larger sense of purpose," Werner adds. "Here, in the United States, it seems that churches are the default setting—the first place you look for that sense of purpose. Overall, these songs convey my belief that doubt and faith can reside side by side in a good person. And, I guess I'd reached a time in life where I wanted to have this conversation with myself; to keep what my church going parents got right while moving into what was true and right for me. And, while I'm not absolutely sure we encounter God through church music, I do know that church music is very revealing of us as human beings. And that's what The Gospel Truth is really all about."

Werner's first step in getting at that truth is "(Why Is Your) Heaven So Small," a pointed barb at the hypocrisy of narrow-minded "one way to heaven" religiosity. Producer Glenn Barratt sets Werner's Appalachian gospel melody amidst groove driven drums and sitars, which takes the song, as the singer sees it, "from Kentucky to Katmandu." Werner mines the Bible's important passages on social justice in the sing-along hand clapping rouser "Help Somebody," while on the soul searching, choir-backed ballad "Forgiveness," she questions loving one's enemies when they so cruelly use religion as justification for discrimination and oppression. And Werner's neo-traditional bluegrass composition "Did Trouble Me" affirms the importance of conscience in a well-lived life.

The introspective ballad "Sunday Mornings" takes Werner (and no doubt, thousands of listeners) back to their childhood memories of attending church with their families, and to a time, not necessarily a better time, when strict, church approved gender roles ruled the day. "Our Father, The New Revised Edition" offers comic relief in the form of a direct prayer to God to deliver us from self-righteous people who think they speak for Him. Werner then dishes up a New Orleans styled shuffle for "Lost My Religion," a kind of backslider's lament. Yet despite her doubts, Werner gives herself over to the evocative ballad "Don't Explain It Away" (a nod to the possibilities of mystical transcendence) and to the sing-along "I Will Have My Portion," a song that perfectly captures Werner's desire to have all the joy without the Jesus. The Gospel Truth closes with the truly "agnostic gospel" of the frank and humorous "Probably Not" and the hopeful "Together," which imagines the kind of peaceful world God would want (if there is a God – a question Werner leaves unanswered).



POEM: God Says Yes to Me by Kaylin Haught

I asked God if it was okay to be melodramatic
and she said yes
I asked her if it was okay to be short
and she said it sure is
I asked her if I could wear nail polish
or not wear nail polish
and she said honey
she calls me that sometimes
she said you can do just exactly
what you want to
Thanks God I said
And is it even okay if I don't paragraph
my letters
Sweetcakes God said
who knows where she picked that up
what I'm telling you is
Yes Yes Yes

QUOTE: "There is no religion without love, and people may talk as much as they like about their religion, but if it does not teach them to be good and kind to man and beast, it is all a sham." ~ Anna Sewell

Saturday, July 21, 2007

May I Suggest (Susan Werner)

Today I found out a woman from church died during an operation - J's passing is still very much on my mind. I read this poem and thought of my friend T, who lost *two* sons to bizarre accidents, one a car crash and the other a lightning strike - we worked together and every time we heard an ambulance siren, she would begin to tremble. I can't even imagine - our children are supposed to bury us, and not the other way around. It's easy to get lost in the abyss... which is why we should embrace Gandhi's philosophy - otherwise, it would be too painful to put one foot in front of the other each day. As Todd Snider sings, "I've learned nothing but that there is another sunrise coming all but one of the times it sets" - words to live by (pun semi-intended... <3 )



POEM: Picnic, Lightning by Billy Collins

It is possible to be struck by a
meteor or a single-engine plane while
reading in a chair at home. Pedestrians
are flattened by safes falling from
rooftops mostly within the panels of
the comics, but still, we know it is
possible, as well as the flash of
summer lightning, the thermos toppling
over, spilling out on the grass.
And we know the message can be
delivered from within. The heart, no
valentine, decides to quit after
lunch, the power shut off like a
switch, or a tiny dark ship is
unmoored into the flow of the body's
rivers, the brain a monastery,
defenseless on the shore. This is
what I think about when I shovel
compost into a wheelbarrow, and when
I fill the long flower boxes, then
press into rows the limp roots of red
impatiens -- the instant hand of Death
always ready to burst forth from the
sleeve of his voluminous cloak. Then
the soil is full of marvels, bits of
leaf like flakes off a fresco,
red-brown pine needles, a beetle quick
to burrow back under the loam. Then
the wheelbarrow is a wilder blue, the
clouds a brighter white, and all I
hear is the rasp of the steel edge
against a round stone, the small
plants singing with lifted faces, and
the click of the sundial as one hour
sweeps into the next.

QUOTE: "Live as if you were to die tomorrow. Learn as if you were to live forever." ~ Gandhi

Tuesday, July 3, 2007

My Strange Nation (Susan Werner)

[ I was working on this blog post last night when a horrendous lightning/thunder/rain storm came through, knocking out my DSL/router - I've called my computer consultant but, since it's a holiday, told him tomorrow was fine to fix it. In the meantime, I'm up at Kinko's publishing this and the next entry - I'm going to cheat a bit and postdate this one for yesterday, since I hate to ruin my consecutive streak! ]


Given the upcoming Fourth of July holiday (and I promise to write about the "pretty" side of it tomorrow), I had a discussion the other day with some friends - the question at hand was... can change occur without a revolution? I tend to think not - I was raised to believe "if you don't fight for what you want, you deserve what you get". Civil rights and women's rights and human rights have never been handed over on a silver platter - they (continue to) take time to unfold... with reminders and demonstrations and legislation. The only people happy with the status quo are the status privileged - since the personal is the political, it's our duty to speak up and act out because, until all of us are free/equal, none of us are...

SONG: My Strange Nation by Susan Werner

BOOK: Outrageous Acts and Everyday Rebellion by Gloria Steinem

POEM: Patriotics by David Baker

Yesterday a little girl got slapped to death by her daddy,
out of work, alcoholic, and estranged two towns down river.
America, it's hard to get your attention politely.
America, the beautiful night is about to blow up

and the cop who brought the man down with a shot to the chops
is shaking hands, dribbling chaw across his sweaty shirt,
and pointing cars across the courthouse grass to park.
It's the Big One one more time, July the 4th,

our country's perfect holiday, so direct a metaphor for war,
we shoot off bombs, launch rockets from Drano cans,
spray the streets and neighbors' yards with the machine-gun crack
of fireworks, with rebel yells and beer. In short, we celebrate.

It's hard to believe. But so help the soul of Thomas Paine,
the entire county must be here--the acned faces of neglect,
the halter-tops and ties, the bellies, badges, beehives,
jacked-up cowboy boots, yes, the back-up singers of democracy

all gathered to brighten in unambiguous delight
when we attack the calm and pointless sky. With terrifying vigor
the whistle-stop across the river will lob its smaller arsenal
halfway back again. Some may be moved to tears.

We'll clean up fast, drive home slow, and tomorrow
get back to work, those of us with jobs, convicting the others
in the back rooms of our courts and malls--yet what
will be left of that one poor child, veteran of no war

but her family's own? The comfort of a welfare plot,
a stalk of wilting prayers? Our fathers' dreams come true as
nightmare.
So the first bomb blasts and echoes through the streets and shrubs:
red, white, and blue sparks shower down, a plague

of patriotic bugs. Our thousand eyeballs burn aglow like punks.
America, I'd swear I don't believe in you, but here I am,
and here you are, and here we stand again, agape.

QUOTE: "So keep fightin' for freedom and justice, beloveds, but don't you forget to have fun doin' it. Lord, let your laughter ring forth. Be outrageous, ridicule the fraidy-cats, rejoice in all the oddities that freedom can produce. And when you get through kickin' ass and celebratin' the sheer joy of a good fight, be sure to tell those who come after how much fun it was." ~ Molly Ivins

Wednesday, June 13, 2007

Movie of My Life (Susan Werner)

This afternoon I realized it's been a full month since I began blogging... and I've actually managed to post something every day - I don't always achieve my goals, deadlines and wishlists but it's comforting to know that when I set my mind to something, I have a greater chance of achieving. Hmmmm - no rocket science message there... :-)

What started out as a song/book/poem/quote cut-and-dried exercise has become fuller over time - I decided to add pictures to accompany each post and am quite pleased with the results. I'm "talking" more, injecting a bit of myself into the day's contributions - it feels comfortable, as I'm overcoming my technoweenie self to learn and grow in a cyber-environment.

Basically, though, I still consider it a journal - at this point, I've only shared the site with three people in my life... and others seem to have stumbled across it. Maybe I'll tell a few more - maybe not. I'm not actively searching for validation or applause or feedback (of course, it's always nice when they happen organically) - this ritual has become my mind/body/spirit meditation... and it feels good to slow down enough to do something daily with forethought, creativity and intention.

P.S. The picture will make sense when you read the song lyrics!

SONG: Movie of My Life by Susan Werner

BOOK: Encyclopedia of an Ordinary Life by Amy Krouse Rosenthal

POEM: What's in My Journal by William Stafford

Odd things, like a button drawer. Mean
Things, fishhooks, barbs in your hand.
But marbles too. A genius for being agreeable.
Junkyard crucifixes, voluptuous
discards. Space for knickknacks, and for
Alaska. Evidence to hang me, or to beatify.
Clues that lead nowhere, that never connected
anyway. Deliberate obfuscation, the kind
that takes genius. Chasms in character.
Loud omissions. Mornings that yawn above
a new grave. Pages you know exist
but you can't find them. Someone's terribly
inevitable life story, maybe mine.

QUOTE: "When we think of beauty, we often think of those things we cannot hold... the moments when we are loved, the distant rainbow, the sweet ordinariness of times when nothing exceptional happens, but we are aware of doors to other worlds and the shaft of light drenches the now with unspeakable joy." ~ Rita Gormley