Norman (Rod MacDonald)

I'm a long-time fan of anything Alfred Hitchcock-ian, both the movies and the forever-ago TV show - loved the way he walked into the profile drawing of himself at the beginning of each week's episode.

His movies were masters of understatement, suspense but not gore - I remember reading once that, in the Psycho shower scene, the knife never touched Janet Leigh's body, but, with the combination of shrieking music, rapid-fire motions and the sheer terror of the situation, it's still one of the most chilling and infamous horror scenes ever. Who could forget the final shot of blood swirling down the drain (the film was in black and white, but you'd swear you saw red)... coupled with a close-up of her glazed, unseeing eye? - many of us took baths only for quite a while!

Find Hitchcock! Where to spot all 37 of the director's signature cameos

August 26, 2008
By Tim Briscoe

Maggie Van Ostrand of Film School Rejects recently posted a great article to commemorate what would have been filmmaker Alfred Hitchcock's 109th birthday. Her article on the movie blog chronicles all 37 of Hitch's cameos in his own movies.

I always knew that this was one of the Master of Suspense's trademarks. He would feature himself in a brief walk-on role in each movie, often times carrying a musical instrument. I had no idea he did it in 37 of his 52 major movies.

Here, from FSR and similar listings on the Hitchcock.tv site and the Wikipedia entry, are all of his brief appearances. How many do you remember?

The Lodger (1926) - :03 at a desk in newsroom and(unconfirmed) part of the crowd at 1:32
Easy Virtue (1927) - :15 walking past tennis court
Blackmail (1929) - :11 reading a book in subway
Murder! (1930) - 1:00 walking past house
The Man Who Knew Too Much (1934) - :31 walking across screen in trench coat (also unconfirmed)
The 39 Steps (1935) - :06 tossing some litter
Young and Innocent (1938) - :15 holding a camera outside courhouse
The Lady Vanishes (1938) - 1:30 wearing a black coat and smoking a cigarette
Foreign Correspondent (1940) - :13 wearing a coat and hat, reading a newspaper
Rebecca (1940) - 2:03 walking near the phone booth
Mr. and Mrs. Smith (1941) - :43 passing by Robert Montgomery
Suspicion (1941) - :46 mailing a letter
Saboteur (1942) - 1:04 in front of drug store
Shadow of a Doubt (1943) - :17 playing cards on the train
Lifeboat (1944) - :25 in a newspaper ad for Reduco Obesity Slayer
Spellbound (1945) - :35 carrying violin and smoking a cigar
Notorious (1946) - 1:00 drinking champagne
The Paradine Case (1947) - :36 leaving the train carrying a cello
Rope (1948) - :02 holding a newspaper during opening credits and at :55 his silhouette is shown on a neon sign
Under Capricorn (1949) - :04 in the town square during parade and at :14 on the steps of Government House
Stage Fright (1950) - :39 turning back to look at Jane Wyman
Strangers on a Train (1951) - :10 boarding the train with a double bass
I Confess (1953) - :01 walking across top of stairs
Dial M for Murder (1954) - in class reunion photo
Rear Window (1954) - :25 winding clock in the songwriter's apartment
To Catch a Thief (1955) - :10 sitting next to Cary Grant on bus
The Trouble with Harry (1955) - :22 walking past the parked limousine
The Man Who Knew Too Much (1956) - :25 watching acrobats with his back to the camera
Vertigo (1958) - :11 walking in the street
North by Northwest (1959) - :02 missing a bus
Psycho (1960) - :06 through Janet Leigh's window, wearing a cowboy hat
The Birds (1963) - :02 leaving the pet shop with two white dogs
Marnie (1964) - :05 entering into the hotel corridor
Torn Curtain (1966) - :08 sitting in the lobby with baby on his knee
Topaz (1969) - :33 pushed a wheelchair at the airport
Frenzy (1972) - :03 wearing a bowler hat, not applauding
Family Plot (1976) - :40 shown in silhouette through the door

Looking at the time in the film where Hitch makes his appearance, it seems clear that he started putting it in early. I believe this was so movie-goers who knew of his signature appearances could get it out of the way and focus on the thrills to come.

Here is a video featuring many of the cameos. It even highlights them for you so won't miss them in your next viewing of the Hitchcock movie. Enjoy!

See web site for video mentioned in this story

SONG: Norman by Rod MacDonald

BOOK: The Art of Alfred Hitchcock: Fifty Years of His Motion Pictures by Donald Spoto

POEM: The Eternal Saboteur by Maria Rose

I am an anonymous lodger.

There is a corpse in my cupboard

With withered lips

And a ring in its frozen finger.

The now useless ring on its stiff fingers

is still a puzzle.

I can see a gloomy staircase

leading to a bell tower.

Whatever be the number of the steps

to the top,

the fear of fall is a truth.

Don’t fall in love.

* * * * * *

His presence is obvious.

His unexpected cameos startle me.

I feel the threat of a deadly rope

In my neckscape.

Sure, I am one who knew too much.

He desires my silence.

Ghouls of my sabotaged dreams

Frightens me to death.

The vision from my rear window

opens to the horror of violent birds

That kept circling in the psyche.

The sound of their wings steals my sleep.

* * * * * *

An ominous day opened my ears

To a fatal dial tone

That pursued me ad infinitum.

I must flee.

Any moment He will dial the number I dreaded.

I am afraid of trains.

There will be strangers on trains

On your trail, He tells me

* * * * *

The frenzy of my flight is sure to ungrave

My stage fright, despite all rehearsals, I know.

Que Sera Sera.

Future’s not ours to see.

Sure, God is the bulky guy

Who carries a bird on the tip of his cigar,

The eternal saboteur.

QUOTE: "There is no terror in the bang, only in the anticipation of it." ~ Alfred Hitchcock

I Ought to Know (Jack Hardy)

A review I wrote for a concert I attended last night:

Thanks so much to Brian and Ellen for hosting yet another wonderful Shack in the Back concert - what a perfect co-bill!

Rod MacDonald and Jack Hardy have known each other for decades, from the Greenwich Village Fast Folk days - Jack still lives there (hosting a songwriter's exchange every week for *30* years!)... and we are lucky to call Rod local, after his parents' health issues 13 years ago in South Florida motivated him to move here.

Both men are sincere lovers of the language, translating their passion and skill to us in each musical gem - whether the theme is political, relationships or humorous, they craft poetry from their words, inviting us, the listener, on a journey of beauty and pain and connection.

We were treated to a few new songs last evening... Rod's Soldiers and Jack's Worst President Ever (and thanks, Vic, for requesting the elevator song... :-) - we laughed, we cried, we sang... and we came away changed...

Those of us who present house and venue concerts do not take for granted the work it takes to make such an evening appear seamless - much appreciation to all (from sound to snacks to seating!).

P.S. Congratulations to Rod and Nicole on the upcoming (February 29) birth of their second daughter...

P.P.S. I've seen Jack a handful of times at various festivals, more recently at last summer's Falcon Ridge - when he played I Ought to Know (last night's encore) at the festival after-hours, I googled the lyrics when I got back to Florida and was thrilled to find a hyperlinked version... :-)

P.P.S.S. Jack last night mentioned his friend Suzanne Vega, who covered his song St. Clare - she also coordinated Vigil: N.Y. songs since 9/11, a project sparked by the death of Jack's brother Jeff in the World Trade Center attacks...

SONG: I Ought to Know by Jack Hardy

BOOK: To-Do List: From Buying Milk to Finding a Soul Mate, What Our Lists Reveal About Us by Sasha Cagen

POEM: Lines For The Fortune Cookies by Frank O'Hara

I think you're wonderful and so does everyone else.

Just as Jackie Kennedy has a baby boy, so will you--even bigger.

You will meet a tall beautiful blonde stranger, and you will not say hello.

You will take a long trip and you will be very happy, though alone.

You will marry the first person who tells you your eyes are like scrambled eggs.

In the beginning there was YOU--there will always be YOU, I guess.

You will write a great play and it will run for three performances.Please phone The Village Voice immediately: they want to interview you.

Roger L. Stevens and Kermit Bloomgarden have their eyes on you.

Relax a little; one of your most celebrated nervous tics will be your undoing.

Your first volume of poetry will be published as soon as you finish it.

You may be a hit uptown, but downtown you're legendary!

Your walk has a musical quality which will bring you fame and fortune.

You will eat cake.

Who do you think you are, anyway? Jo Van Fleet?

You think your life is like Pirandello, but it's really like O'Neill.

A few dance lessons with James Waring and who knows? Maybe something will happen.

That's not a run in your stocking, it's a hand on your leg.

I realize you've lived in France, but that doesn't mean you know EVERYTHING!

You should wear white more often--it becomes you.

The next person to speak to you will have a very intriquing proposal to make.

A lot of people in this room wish they were you.

Have you been to Mike Goldberg's show? Al Leslie's? Lee Krasner's?

At times, your disinterestedness may seem insincere, to strangers.

Now that the election's over, what are you going to do with yourself?

You are a prisoner in a croissant factory and you love it.

You eat meat. Why do you eat meat?

Beyond the horizon there is a vale of gloom.

You too could be Premier of France, if only... if only...

QUOTE: "Real knowledge is to know the extent of one's ignorance." ~ Confucius