Showing posts with label Paul Simon. Show all posts
Showing posts with label Paul Simon. Show all posts

Friday, March 27, 2020

American Tune (Paul Simon)


What if the Virus is the Medicine? by Jonathan Hadas Edwards and Julia Hartsell

The emerging pandemic is already a watershed of the early 21st century: things won’t ever be the same. Yet for all that the havoc that the virus is wreaking, directly and indirectly, it may also be part of the bitter medicine the global body needs.

How could adding another crisis to an already crisis-ridden planet possibly be medicinal?

Before we explore that question, we want to be clear: our intent is not to downplay the severity or minimize the importance of lives lost to this disease. Behind the mortality figures lie very real pain and grief, and these numbers, often discussed so casually, are personal, representing the potential loss of our parents, elders, teachers, dance companions, grandmothers or immune-compromised friends.

Already, our hearts are breaking for the physical distance with our aging parents until we know if we’re infected. There’s not only a risk of losing beloveds in this time, but having to do so from afar. Our hearts are breaking for those who may die or suffer alone, without the touch of their loved ones. We honor death as a sacred passage, but we do not minimize death, suffering or sickness in the slightest.

We pray that each one who transitions from this virus (as from the many other deadly diseases, accidents, overdoses, murders, suicides, mass shootings, and on and on) be met with on the other side by unexpected blessing, connection, peace.

Neither are the economic implications to be taken lightly. Many in this country have already seen massive impact, and the recession has only begun. As always, those closest to the edge will be hit hardest. For some, a month sequestered in beauty could be a vacation.

Others have a few months before financial panic sets in. And for others living paycheck to paycheck or gig to gig, there is a great immediacy of struggle. The economic ‘side effects’ of this coronavirus could be catastrophic.

And yet.

For many in our world, the pre-coronavirus status quo was already catastrophic. Many are facing an imminent end to their world--indeed, for many species and many peoples, the world has already ended. We are in the midst of a crisis of unprecedented magnitude: the choice for humanity is change or die. No one said change would be easy. (Neither is dying.)

And incremental change is not enough. It will take radical change to shift our current, calamitous trajectory away from massive environmental devastation, famine, energy crises, war & refugee crises, increasingly authoritarian regimes and escalating inequalities.

The world we know is dying. What is unsustainable cannot persist, by definition, and we are starting to see this play out.

What hope is there, then? There is the hope that breakdown will become, or coexist with, breakthrough. There is the hope that what is dying is the caterpillar of immature humanity in order that the metamorphosis yields a stunning emergence. That whatever survives this collective initiation process will be truer, more heart-connected, resilient and generative.

We are entering the chrysalis. There’s no instruction manual for what happens next. But we can learn some things from observing nature (thank you Megan Toben for some of this biological info). For one thing, the chrysalis stage is preceded by a feeding frenzy in which the caterpillar massively overconsumes (sound familiar? We’ve been there for decades). Then its tissues melt into a virtually undifferentiated goo. What remain separate are so-called imaginal cells, which link together and become the template from which the goo reorganizes itself into a butterfly.

Does the caterpillar overconsume strategically, or out of blind instinct? Does it know what’s coming and trust in the process, or does it feel like it’s dying? We don’t know. It’s natural to resist radical, painful change. But ultimately there’s little choice but to surrender to it. We can practice welcoming the circumstances that force us away from dysfunctional old patterns, be they economic or personal. We have that opportunity now.

Let’s return to a crucial word, initiation. On an individual level, initiations are those processes or rituals by which one reaches a new state of being and corresponding social status: from girl to woman, from layperson to clergy, and so on. Initiations can be deliberate or spontaneous, as in the case of the archetypal shamanic initiation, which comes by way of a healing crisis.

To paraphrase Michael Meade, initiations are events that pull us deeper into life than we would otherwise go. They vary widely from culture to culture and individual to individual, but two characteristics they share are intensity and transformation. They bring us face to face with life and with death; they always involve an element of dying or shedding so that the new can be born.

Most all of us have undergone initiations of one sort of another, from the death of a parent to the birth of a child. Many have experienced initiation in the form of a crisis or trial by fire. Those of us who have gone through more deliberate, ritualized forms of initiation can state unequivocally: the process is not fun, comfortable or predictable.

You may well feel like you’re going nuts. You may not know who you are anymore. You don’t get to choose which parts of you die, or even to know ahead of time.

One of the overriding feelings is of uncertainty: you don’t know where you’re going, only that there’s no going back. And there’s no way of knowing how long the transformation will take. It can help to remember that the initiatory chrysalis phase is a sacred time, set apart from normal life.That it has its own demands and its own logic. That it cannot be rushed, only surrendered to. That it may be painful, but also, ultimately, healing.

Imagine what happens when an entire society finds itself in the midst of a critical initiation. Except you don’t have to imagine: it’s already happening, or starting to. It looks like chaos, a meltdown. We’re in a moment of collective, global-level crisis and uncertainty that has little precedent in living memory.

The economic machine--the source of our financial needs and also a system that profits from disease, divorce, crime and tragedy--is faced with a dramatic slow-down. We are all facing the cessation of non- essential activities. There is opportunity here, if we claim it.

This is a sacred time.

However, unlike a traditional rite of passage ceremony, there’s no priest or elder with wisdom born of experience holding the ritual container, tracking everything seen and unseen. Instead, all at once there are millions of personal quests inside one enormous initiatory chrysalis.

And yet, look closely: amid the goo, you may start to notice imaginal cells appearing. Pockets of people who are aligned with something they may not fully understand, in receipt of a vision or pieces of one, beaming out their signal to say: let’s try something different.

This is an opportunity to loosen our grip on old and familiar ways. Those ways worked for as long as they did, and they got us here, for better and for worse. They seem unlikely to carry us much further.

What if we’re instead being asked to feel our way forward, from the heart, without benefit of certainty--which, when concentrated, quickly becomes toxic? No one has all the answers in this or any other time. Right now the questions may be more valuable.

What if we honor this time with sacred respect?

What if we take the time to listen for the boundaries and limits of our Earth mother?

What is truly important?

How can we receive the bitter medicine of the moment deep into our cells and let it align us with latent possibility?

How can we, with the support of the unseen, serve as midwives to all that is dying here and all that is being born?

With these questions resounding, let us s l o w d o w n and listen. For echo back from the unseen, for whisperings from the depths of our souls and from the heart of the mystery that--no less so in times of crisis--embraces us all.


Wow.  Timely.  As of 12:01 this morning (Friday, March 27), we (Broward County, Florida) are now operating under an Emergency Shelter-in-Place order (meaning, stay indoors except to conduct "essential" business). I will stop going to the park to walk, as well as meet up for our family get-togethers.

I *will* walk in my condo complex, even safer now that most of the snowbirds have headed back north.  I feel secure to have at least a two-week supply of food in my fridge, freezer, and pantry. I will venture out at some point to fill up my car with gas, just in case.

And we wait.


SONG:  American Tune by Paul Simon (cover by Dave Matthews)


BOOK:  Shelter by CĂ©line Claire, Qin Leng (Illustrator)

POEM:  Cutting Loose by William Stafford

Sometimes from sorrow, for no reason,
you sing. For no reason, you accept
the way of being lost, cutting loose
from all else and electing a world
where you go where you want to.

Arbitrary, a sound comes, a reminder
that a steady center is holding
all else. If you listen, that sound
will tell you where it is and you
can slide your way past trouble.

Certain twisted monsters
always bar the path -- but that's when
you get going best, glad to be lost,
learning how real it is
here on earth, again and again.

QUOTE:  "When the storms of life come, if they come to me personally, to my family or to the world, I want to be strong enough to stand and be a strength to somebody else, be shelter for somebody else." ~ Anne Graham Lotz

Thursday, June 18, 2009

Diamonds On The Soles Of Her Shoes (Paul Simon)



...or the tip of her nose? - when the going gets tough, the tough get a body piercing!

I have been talking about this for the last few months, wanting to get a small diamond nose stud (left side) when the time was right - Mari was here with mom yesterday afternoon and last night... and I googled for the closest tattoo parlor (one town over in Buford), checked out their website, gave them a call and decided to seize the day. Jennifer, a co-owner of the shop, has been piercing for 10 years and told me the "pain" (more like a bee sting) would last 2-5 seconds - she was right, I have a lovely facial adornment (finally making peace with my Barbra proboscis after all these years) and I am resolved to keep up with the 3-6 times a day hygiene routine so no infection sets in...

Crazily enough, I see it as a tangible reminder of spending this time with mom, who is so much like a diamond (shiny and sharp... :-) - it's also a celebration of my upcoming 55th birthday (August 5)...

As I said, Mari spent the night here last night so I could go to her house to get a good night's sleep - I will write a full update later on mom's CaringBridge website page...

I have an upcoming post planned about fireflies, as we don't have them in Florida and I've missed them so - I continue to delight each dusk as the small flashing specks of light dot the yard...


I also have a musical excursion planned Saturday night to a local (Lawrenceville) house concert to see/hear some dear friends (Mari will stay with mom again) - more on that after the fact, as I'm hoping to surprise them!



SONG: Diamonds On The Soles Of Her Shoes by Paul Simon


BOOK: Spiritual Tattoo: A Cultural History of Tattooing, Piercing, Scarification, Branding, and Implants by John Rush


POEM: The Ordinary by Kirsten Dierking

It's summer, so
the pink gingham shorts,
the red mower, the neat rows
of clean smelling grass
unspooling behind
the sweeping blades.

A dragonfly, black body
big as a finger, will not leave
the mower alone,
loving the sparkle
of scarlet metal,
seeing in even a rusting paint
the shade of a flower.

But I wave him off,
conscious he is
wasting his time,
conscious I am
filling my time
with such small details,
distracting colors,

like pink checks,
like this, then that,
like a dragonfly wing
in the sun reflecting
the color of opals,
like all the hours
we leave behind,
so ordinary,
but not unloved.

QUOTE: "For me the diamond dawns are set in rings of beauty, and all my ways are dewy wet with pleasant duty." ~ John Townsend Trowbridge

Thursday, October 16, 2008

You Can Call Me Al (Paul Simon)

I almost used Eve of Destruction as the title of this blog post... but Paul Simon's tune is so much more snappy and upbeat - plus... the plumber just left after having given me the estimate, and I am continuing to think positive.

At this point, we have two options: jackhammer the bathroom floor tiles, and possibly remove the toilet, in the area of the leak - I have asked, and they agreed, to keep the extent of the damage as small as possible, although whatever needs to be done will be done. I actually found a box of extra floor tiles in the attic and maybe, just maybe, those broken up can be replaced - as I've said before, I am open to the idea of re-doing the entire floor (I just prefer not to!).

Second option: re-routing the pipe from the hot water heater through the attic down the wall to the bathroom, at which point there would still have to be tiles torn up - this procedure would require two people (so the price would double)... plus materials.

Call me crazy... but I can't imagine choosing Option #2 when #1 sounds so straightforward and simple, not to mention less expensive - I don't want to operate on fear (the same pipe will break in another location), so I'm choosing to believe in isolating the problem, feeling sure that direct and minimal will do the trick.

My plumber's name is Al... not Joe (thanks, Catherine, for the hysterical comment in my previous post) - for the record, no one in this equation makes $250,000 a year or more... :-)


BOOK: Flushed: How the Plumber Saved Civilization by W. Hodding Carter

POEM: Elegy for Alfred Hubbard by Tony Connor

Hubbard is dead, the old plumber:
who will mend our burst pipes now,
the tap that has dripped all the summer,
testing the sink's overflow?

No other like him. Young men with knowledge
of new techniques and theories from books
may better his work, straight from college,
but who will challenge his squint-eyed looks

in kitchen, bathroom, under floorboards,
rules of thumb which were often wrong;
seek as erringly stopcocks in cupboards,
or make a job last half as long?


He was a man who knew the ginnels
alleyways, streets — the whole district:
family secrets, minor annals,
time-honoured fictions fused to fact.

Seventy years of gossip muttered
under his cap, his tufty thatch,
so that his talk was slow and clotted,
hard to follow, and too much.

As though nothing fell, none vanished,
and time were the maze of Cheetham Hill,
in which the dead — with jobs unfinished
waited to hear him ring the bell.

For much he never got round to doing,
but meant to, when weather bucked up,
or worsened, or when his pipe was drawing,
or when he'd finished this cup.

I thought time, he forgot so often,
had forgotten him; but here's Death's pomp
over his house, and by the coffin
the son who will inherit his blowlamp,

tools, workshop, cart, and cornet
(pride of Cheetham Prize Brass Band),
and there's his mourning widow, Janet,
stood at the gate he'd promised to mend.

Soon he will make his final journey:
shaved and silent, strangely trim,
with never a pause to talk to any-
body: how arrow-like, for him!

In St Mark's Church, whose dismal tower
he pointed and painted when a lad,
they will sing his praises amidst flowers
while, somewhere, a cellar starts to flood,

and the housewife banging his front-door knocker
is not surprised to find him gone,
and runs for Thwaite, who's a better worker,
and sticks at a job until it's done.

QUOTE: "Modern cynics and skeptics... see no harm in paying those to whom they entrust the minds of their children a smaller wage than is paid to those to whom they entrust the care of their plumbing." ~ John F. Kennedy

Friday, June 1, 2007

Song About the Moon (Paul Simon)

"The fascination with the moon started long before Pink Floyd. It has been the inspiration for poetry, paintings, songs and even whole religions over the history of man. Every human that's ever lived has looked upon the moon and pondered it, as well as our own existence. Many believe that a 5,000 year old rock carving found at Knowth, Ireland represents the moon, in which case, it is the earliest depiction yet discovered. There is much folklore associated with the moon including that it's responsible for insanity... thus the word lunatic. Even today, after we have walked on the moon and know exactly what it is, it continues to be a great inspiration to songwriters across the world. "

The moon can be full, red, half, silvery, crescent - it can be harvest, yellow, paper, bad, new, pink. And, of course, it can be blue... which is the premise of this post - last night was the Blue Moon, which refers to the second full moon occurring within a calendar month. I attempted to honor it at 1:00 a.m. from the warmth and peacefulness of my jacuzzi, but the cloud cover was too thick - however, I didn't have to see it to believe it was there... :-)

SONG: Song About the Moon by Paul Simon

BOOK: Conversations with the Moon by Amy Neftzger


POEM: Song by Wendell Berry

Within the circles of our lives
we dance the circles of the years,
the circles of the seasons
within the circles of the years,
the cycles of the moon
within the circles of the seasons,
the circles of our reasons
within the cycles of the moon.

Again, again we come and go,
changed, changing. Hands
join, unjoin in love and fear,
grief and joy. The circles turn,
each giving into each, into all.
Only music keeps us here,

each by all the others held.
In the hold of hands and eyes
we turn in pairs, that joining
joining each to all again.
And then we turn aside, alone,

out of the sunlight gone
into the darker circles of return.


QUOTE: “Three things cannot be long hidden: the sun, the moon and the truth.” ~ Hindu Prince Gautama Siddharta, the founder of Buddhism