Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Sunday, May 2, 2021

Your Smiling Face (Jennings & Keller)


























I just posted the following to our sf_folk list and, rather than reinvent the wheel, I'm reprising it here:
A Bazillion Thanks to Dave Cambest for being the first to put together a backyard house concert that more than satisfied two of the things I've most missed these last 14 months:  live music and hugs... :-)

Who better to "break the pandemic" (as someone tonight said) than local treasures Jennings & Keller (Laurie and Dana)?  So many tears (of joy) and an equal number of smiles (of ecstasy, familiarity, comfort, serenity, gratitude, grace (as Laurie reminded us many times) and, most especially, love... for the music, for each other, for the idea of being that much closer to whatever "normal" looks like on the other side of COVID.

All of us in the audience had been vaccinated, and the emotion was palpable... friends greeting friends after a too-long absence.  Many of J&K's songs spoke to that, from their opening cover of Richard Thompson's Keep Your Distance to their closing song of Robert Vincent's The Ending... to so many new originals we were treated to (Like No Other, Your Smiling Face, High School Play) to some old favorites (Hold Fast the Wheel, Your Heart Holds the Truth) to The Byrds' Tulsa County and Joni's Little Green.  Laurie's voice was as gorgeous as ever, and Dana's dobro was, to transpose a cliche, a sound for sore ears... 💖

Laurie thanked the audience for being there, and we reciprocated by applauding warmly and enthusiastically, an energy most performers have greatly missed during this strange time.  The evening was a magical and soul-filling watershed, as those who were there can attest.  Here's/cheers to the first of many safe, loving gatherings, musical and otherwise... <3

SONGYour Smiling Face by Jennings & Keller [flip side/bonus song:  Wear a Mask, a Beauty and The Beast parody... 😄 ]

POEM:  
Relic by Russell Brakefield

years from now I dislodge a mask
kneeling in a gas station parking lot
to suck crumbs from the consoles
half in and half out the passenger seat
I dislodge a mask from the floormat
flattened and streaked, folded on itself
like a wounded bird but still
retaining its feather-blue tint
ear straps flung aside like broken wings
its sunken breast smudged
where I once pressed my mouth
the downy screen through which
I filtered my life, where my words were
wrung out and carried off as on a soft wind
a dirty plume that held prayers
and songs and desperate transactions
where I said even I love you
in a muffled tone, where I said even
I’m home! standing in the doorway
forgetting, for a brief moment, which
were the safer parts of the world

[Russell Brakefield: “As we encounter positive news about vaccines and look forward to a new administration’s response to the pandemic, I’ve been turning my mind to a post-Covid world, thinking about how we will live and interact with this time in history in the years to come.”]


Fatigue by Jill Kandel

I’m on the Day with No
Groceries day of the two-week cycle
which means I’m off to buy veggies and
you’d think I’d be used to my long-mandated mask
which makes it hard for me to understand what others
are saying and also sticks to my face as my breath gradually
fogs up my glasses already smeared from putting on and taking off
this, my handsewn slightly crooked mask, all the while trying to retain some semblance
of put-together-ness which went out the window some time ago and belongs
in the land of long forgotten things like hugs and real-life visits
and shared smiles that can actually be seen, dimple
to dimple, but what’s a person supposed to do
except cry, cry for my sweet friend battling
brain cancer and I can’t go visit him, his
systems shrouded in compromise
and Covid
restricting visits even from his
wife—depending on the hospital the clinic
the treatment the day and the hour—from going inside
with him and sitting beside him in his pain and his confusion, his veiled
hope and pallid suffering, and my other friend who just happens to live in the same city,
who placed her mother into a nursing home for people with dementia
the day before the nursing home shut to outside visitors, daughters included,
even daughters of newly admitted mothers who will go on to catch
Covid and die in that brand-new shining facility blanketed
with so much hope just two months earlier,
so even though I want to harangue
and childishly rage
joining in
the chorus of people
on Facebook and Twitter who hate
this politician and that party, smugly promoting
one cover-up or another, the wearing of masks (#MaskUpMN #WearADamnMask)
or not wearing of masks (#IwillNOTComply #NoMaskSelfie) I can’t join
in because it’s not that I’m really angry or mad or feel rant-ish,
it’s that it just keeps going on and on and on and on
into a future that predicts more and longer and still
here tomorrow and into the fall
and even the winter, and
I’m tired,
tired of being heartsore,
tired of listening to my friend
a hospice nurse who can’t hold her dying
patients’ hands and is trying to Zoom into their lives
as if she’s real, as if she’s there when in reality she could be a thousand
miles away, a woman on a screen and some days a screen is just not enough
to wrap around our sorrow and that’s what screams out to me, the grief, the longing,
the loss of what I used to know, the loss of who I used to be, and more
than that, the disappearance of who we used to be, how we
used to walk so carefree, so bold and vibrant
through this our now curtained
and weary world.

[Jill Kandel: “CNN carried a story on September 27 that the US cases have surpassed 7 million, and we can still expect to see an explosion of Covid-19 this fall and winter. I wanted to write beneath the surface of the pandemic, the veneer of daily frustrations, and into the heart of our sorrows.”]

QUOTE:  “Each one of us has lived through some devastation, some loneliness, some weather superstorm or spiritual superstorm, when we look at each other we must say, I understand. I understand how you feel because I have been there myself. We must support each other and empathize with each other because each of us is more alike than we are unalike.” ~ Maya Angelou

Friday, November 13, 2020

My Friends (Dar Williams, cover by Kirsten Maxwell)

Checking in, and surprised myself that I haven't posted since Sunday, November 8.  So much (still!) going on in the world, which I will address next week (Trump refusing to accept election results, Biden's coronavirus task force, Supreme Court kept Obamacare in place, etc.).  In the meantime, I needed a bit of a palate cleanser, a feel-good factor, a smile-inducer... not that I don't (still!) have a sh*t-eating grin on my face with the presidential election results, even bigger now that they called Arizona for Biden last night... 😁 )

Above are my local ride-or-die peeps (from L-R:  Eileen, Nancy, Melanie, me, SusanP, Judi, Laurie).  There are a handful of others who live across state lines, and were not in attendance at this event, my Heart's Desire Last Hurrah, the final house concert in a long line of performers gracing my living room since January 2001.  Jennings & Keller (Laurie and Dana) and Nick Annis agreed to sing us out in April 2018, before we moved from the house we had lived in for 26 years (since March 1992) to the condo we currently occupy (and still!) love.  The encore was Our House, and we of course all sang along, not a dry eye in evidence... 😍

Which segues to...

There were a few years in a row the powers-that-be of the South Florida Folk Festival asked me to be one of three final judges of the Singer-Songwriter Competition.  I had served as a preliminary judge a good many years back (multiple times), which entailed listening to over 200 songs and narrowing the artists down to a Top Twelve; final judge is much more fun and less stressful, because it means choosing three winners from the aforementioned dozen.  January 2016 found me sharing the duties with Aaron Stang and Louise Baker (an honor and a privilege).

When Kirsten Maxwell (you may already be aware of her), one of the twelve, stepped up to perform her two songs, there was no doubt she would be one of the winners; upon deliberation with Aaron and Louise later, we all looked at each other and said something to the effect that Kirsten was a slam dunk... now, who were the other two?

I chatted with her after she won; such a lovely, articulate, talented *young* (maybe 27 now?) woman, and we connected immediately.  I asked her, John John Brown, and Larry Mangum (the other two winners) to kick off our next Labyrinth Cafe season (September 2017).

I saw Kirsten at Falcon Ridge in August 2016, and she made a few other trips to South Florida over the next few years (another festival, another concert series, and a Heart's Desire house concert with two other guy friends), staying with me every time (always leading to wine and vegan food on my patio!), and I am now lucky and grateful to call her friend.

A year or so later, Kirsten did a Kickstarter campaign to raise money for her next CD, and one of the levels was $100, whereupon she would record a cover of any song the donor chose.  I gave her the choice of Arrival, The Blessings, or My Friends (all Dar Williams tunes, of course)... and told her to surprise me.  My intention was/is that she keep the song in her proverbial back pocket and incorporate it into her setlist every once in a while.  It's definitely a deep track that will be well-regarded in the folk community, along with her stunning originals.  I have her permission to share it... 💖


BOOKHumans by Brandon Stanton

POEM:  Still by Marc Alan Di Martino

There are still birds, still things coming to life
in unexpected ways. Still nights and days.
Nocturnal, diurnal. Circadian rhythms
scratching an itch at the back of the throat.
Still family, still friends. Still love
slapping you silly with its rubber tongue,
salt that makes your stomach sing a psalm,
palettes of rusted foliage, stray bees
in November, still buzzing in the lavender.

[Marc Alan Di Martino, 11/10/20: “For four years our attention has been kidnapped by the fiasco of this administration. For several days and nights, the world has done little else but watch as each vote is tallied in a handful of states that will determine the course of the next four years, maybe longer. This morning I opened the windows. The world is still, somehow, there.”]

QUOTE:  "
What though youth gave love and roses, age still leaves us friends and wine." ~ Thomas Moore

Thursday, January 7, 2010

Right Where You're Supposed to Be (Scotland Barr & the Slow Drags)


A few hours after I posted about my vow to be more open to new music, I stumbled across this moving piece by Lisa Lepine (who also managed Dave Carter and Tracy Grammer) regarding the early passing of Scotland Barr (lead singer for the Slow Drags) - I love it when the Universe works this quickly (and the Oz quote at the beginning of Lisa's article was a nice meant-to-be perk!)...

It motivated me to read about the band (who I'd never heard of before) and listen to their songs... and I was touched and impressed (so tragic and yet so hopeful) - earlier today, I made a donation to the Finish the Album Fund... in memory of Vic and Sean (paying it forward for all the "folk angel" acts of kindness these two wonderful men performed), and sending warm thoughts of peace and healing as well as best wishes on keeping the music alive to the remaining band members...

I am once again humbly reminded of how important it is to put our money where our mouth is (and where our hearts are) - it is also a reinforcement of how powerful songs can be, in conjuring memories of our past... leading us to future discoveries... or allowing us the pleasure of enjoying the moment, right here and now...

From the band's website:

After Scotland's diagnosis, the Slow Drags had to quickly change directions. Instead of planning out tours that take months of lead time, the band turned their attention to recording the next album. Unsure of Scot's health, the band began to feverishly sketch out ideas and rough tracks for the double-length LP We Will Be Forgotten. Significant progress was made, as four tracks have been pre-released to the public. However, without the ability to play live shows with any regularity, the band's source of income was essentially cut off. People close to the band know that the next record was important to all of us, especially Scot. Each song detailed an era of his life like a storyboard.

The fact that he chose the name We Will Be Forgotten was ironic, as the concept of this record was to, almost desperately, have people remember. Maybe not Scotland, or the band, but meaningful events their own life history. The band fully intends to see this vision through. The Slow Drags would be humbly honored by anyone that is willing to donate money towards recording the next album. Feel free to visit our website and donate via PayPal. We'll also kindly accept cash or checks made out to Scotland Barr and the Slow Drags. The band graciously thanks you for your generosity.

SONG: Right Where You're Supposed to Be by Scotland Barr & the Slow Drags (can't find the lyrics to this song, but you can watch the YouTube video of their song Dirty Old Waltz)

BOOK: The World in Six Songs: How the Musical Brain Created Human Nature by Daniel J. Levitin



POEM: Walking to Oak-Head Pond, and Thinking of the Ponds I Will Visit in the Next Days and Weeks by Mary Oliver

What is so utterly invisible
as tomorrow?
Not love,
not the wind,

not the inside of stone.
Not anything.
And yet, how often I'm fooled-
I'm wading along

in the sunlight-
and I'm sure I can see the fields and the ponds shining
days ahead-
I can see the light spilling

like a shower of meteors
into next week's trees,
and I plan to be there soon-
and, so far, I am

just that lucky,
my legs splashing
over the edge of darkness,
my heart on fire.

I don't know where
such certainty comes from-
the brave flesh
or the theater of the mind-

but if I had to guess
I would say that only
what the soul is supposed to be
could send us forth

with such cheer
as even the leaf must wear
as it unfurls
its fragrant body, and shines

against the hard possibility of stoppage-
which, day after day,
before such brisk, corpuscular belief,
shudders, and gives way.

QUOTE(S): "But people hear music in all kinds of different ways. Some people experience music as colours; others just see grey water pouring out of the speakers. Some never listen to lyrics, they just fall under a spell. Some eat it whole. Some just take a bite. Some of us like to get on our backs and roll around in it like a dog." ~ Tom Waits

"I love the relationship that anyone has with music: because there's something in us that is beyond the reach of words, something that eludes and defies our best attempts to spit it out. It's the best part of us, probably, the richest and strangest part..." ~ Nick Hornby

Sunday, May 3, 2009

How Can I Keep from Singing? (Robert Wadsworth Lowry)


Happy 90th Birthday, Pete Seeger!

Pete Seeger's 90th birthday will be a selfless celebration
5/1/2009
by
Bob Minzesheimer, USA TODAY

NEW YORK — Three months after Bruce Springsteen persuaded Pete Seeger to sing This Land Is Your Land with him at President Obama's inaugural concert, they'll be back together on stage Sunday — on Seeger's 90th birthday.

A sold-out benefit concert at Madison Square Garden will celebrate Seeger, the folk singer/songwriter who was banished from commercial TV for 17 years.

Seeger says a party for 15,000 isn't his idea of a birthday celebration, even with more than 40 musicians, including Dave Matthews, Eddie Vedder and Arlo Guthrie, whose dad, Woody, taught Seeger how to jump freight trains 60 years ago.

But he agreed to it because it will benefit his Hudson River environmental group. Or, as Seeger puts it, "wooden boats don't last forever."

The boat is a 106-foot sloop, the Clearwater, a floating symbol for the group of the same name that Seeger started in 1966 when the Hudson was an open sewer.

It's healthier now, repopulated by eagles, shad and osprey. But, Seeger says, "a lot remains to be done," including "thousands of dollars of repairs to the boat."

Seeger, who says "small is beautiful," plans to remind the crowd: "It's not always the big things that make a difference, but all the small things done by people who don't get attention."
As the subject of three new books and an updated biography, Seeger says, "I've had too much publicity," even as he talks by phone to a reporter.

He says he's encouraged by Obama's willingness to experiment and "to remind us he can't do it all. We have to help."

He recalls how another president, Herbert Hoover, told Rudy Vallee: "If you can sing a song that makes people forget the Depression, I'll give you a medal."

Says Seeger: "Too many singers have been trying to get that medal."

He's the only star in the Rock and Roll Hall of Fame convicted of contempt of Congress for refusing to discuss past membership in the Communist Party. His 1955 conviction was overturned on appeal in 1961, but Seeger's blacklisting lasted from 1950 to 1967. Even then, CBS censored his anti-Vietnam War allegory, Waist Deep in the Big Muddy.

The man who wrote If I Had a Hammer and Turn, Turn, Turn and helped popularize We Shall Overcome plans to sing one solo Sunday — he won't say which one — and join some choruses.

Asked about being called "a saint" by Bob Dylan, he laughs. "What a terrible thing to call someone. I've made a lot of foolish mistakes over the years."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Clay Eals, Steve Goodman's biographer (Facing The Music), posted a note to the FolkDJ list, drawing attention to the fact that there are going to be MANY celebrations for Pete on May 3. Clay says, "Spurred by the Internet proliferation of an idea advanced by Marie Goonan, a Seeger enthusiast from Melbourne, Australia, a grassroots movement has taken hold to schedule concerts all over the world on May 3, Seeger's 90th, to pay tribute to the legendary musician and humanitarian. Marie's apt and catchy suggestion for a theme for these shows is "For Pete's Sake: Sing!" - he provided a partial list of events below (shows keep getting added every day):

Seattle, WA













You can also sign the petition to encourage Pete Seeger's nomination for the Nobel Peace Prize here...

BoyHowdy at Cover Lay Down just posted a wonderful essay, complete with music links, here...


When I was a child
I once sat sobbing on the floor
Beside my mother's piano
As she played and sang
For there was in her singing
A shy yet solemn glory
My smallness could not hold

And when I was asked
Why I was crying
I had no words for it
I only shook my head
And went on crying

Why is it that music
At its most beautiful
Opens a wound in us
An ache a desolation
Deep as a homesickness
For some far-off
And half-forgotten country

I've never understood
Why this is so

But there's an ancient legend
From the other side of the world
That gives away the secret
Of this mysterious sorrow

For centuries on centuries
We have been wandering
But we were made for Paradise
As deer for the forest

And when music comes to us
With its heavenly beauty
It brings us desolation
For when we hear it
We half remember
That lost native country

We dimly remember the fields
Their fragrant windswept clover
The birdsongs in the orchards
The wild white violets in the moss
By the transparent streams

And shining at the heart of it
Is the longed-for beauty
Of the One who waits for us
Who will always wait for us
In those radiant meadows

Yet also came to live with us
And wanders where we wander.

QUOTE(S): "As long as we live, there is never enough singing." ~ Martin Luther

"The total person sings not just the vocal chords." ~ Esther Broner

"It was his nature to blossom into song, as it is a tree's to leaf itself in April." ~ Alexander Smith

"Faith and joy are the ascensive forces of song." ~ Edmund Clarence Stedman

"Life is a song. Love is the music." ~ Author Unknown

Monday, April 13, 2009

Do Re Mi (Maria and the Von Trapp Children)


We had a lovely Easter Sunday yesterday - my son Rob worked, getting home about 5-ish, and we ate a bit before 6 (Eric was home from college for the weekend). I made Poppyseed Chicken (my sister's recipe), brown rice, steamed broccoli, steamed carrots with dill weed and a homemade apple cobbler for dessert - Sarah and I even dyed Easter eggs. I never made it out walking... but figured I could use a bit of a break, since I had followed through the previous six days in a row - so proud of myself!

We hung out until about 10, watching the first half of The Sound of Music (thus the synchronicity of the above YouTube video appearing in my inbox today)... and then Sarah headed home and the boys went out together - I watched some mindless TV and fell asleep on the couch, exhausted after the whirlwind weekend (my Labyrinth Cafe concert, with one of the artists staying with us Friday and Saturday night)...

Today has been an attempt to catch up: laundry, putting the Ozfice back in place (folding up sleep couch, etc.), finishing the dishes I let soak in the sink last night - I still need to get in my walk... and work seriously on the local Pete Seeger event as well as write the Order of Service for my UU Earth Day service this Sunday. I also took Reba out to lunch as she leaves tomorrow to head back to her home in Maryland - I'll miss her...

SONG: Do Re Mi, as sung by Julie Andrews and children in The Sound of Music

BOOK:
The Mysticism of Sound and Music by Hazrat Inayat Khan

POEM: Snow Geese by Mary Oliver

Oh, to love what is lovely, and will not last!

What a task

to ask

of anything, or anyone,

yet it is ours,

and not by the century or the year, but by the hours.

One fall day I heard

above me, and above the sting of the wind, a sound

I did not know, and my look shot upward; it was

a flock of snow geese, winging it

faster than the ones we usually see,

and, being the color of snow, catching the sun

so they were, in part at least, golden. I

held my breath

as we do

sometimes

to stop time

when something wonderful

has touched us

as with a match,

which is lit, and bright,

but does not hurt

in the common way,

but delightfully,

as if delight

were the most serious thing

you ever felt.

The geese

flew on,

I have never seen them again.

Maybe I will, someday, somewhere.

Maybe I won't.

It doesn't matter.

What matters

is that, when I saw them,

I saw them

as through the veil, secretly, joyfully, clearly.

QUOTE: "As your faith is strengthened you will find that there is no longer the need to have a sense of control, that things will flow as they will, and that you will flow with them, to your great delight and benefit." ~ Emmanuel

Tuesday, January 13, 2009

Travel Well (Amy Speace, Jagoda, Tom Prasada-Rao, Cary Cooper)

I've written before of the monthly concert series I help present at our local UU church - it was an amazing show this past weekend, as usual, but I had to write in detail about a particular highlight:

When I arrived at the church Saturday early evening, Jud Caswell, Dave Potts and Friction Farm (Christine Stay and Aidan Quinn) filled me in - they had already been planning to work up a song together to do at the end for an encore...

Jud is friends with Amy Speace and, synchronistically, she, Jagoda (her percussionist), Tom Prasada-Rao and Cary Cooper had just finished writing (in Dallas) a song for Vic Heyman (it started in a noodling session) - when TPR and friends heard that Reba was planning to be at Labyrinth, they e-mailed the song to Jud, and he and Dave learned it that afternoon, teaching it to Friction Farm at the UU...

When the fourth (last) round was over, and received with enthusiastic applause, they gathered on-stage to sing this amazing song, called Travel Well... Jud on lead, Dave on harmony and Christine and Aidan providing back-up vocals and instrumentation - it was stunning, mentioning Rachel Bissex (bringing the wine!)... and the last verse was about Vic leaving his heart (Reba) behind, and their friends promising to take care of her.

First time performed in public... live at the Labyrinth Cafe - it was already a magical night... but that was the proverbial icing... :-)

On another note, I was with a friend from 7:00 this morning until 7 tonight, taking her to various appointments (doctor and otherwise) throughout the course of the day - what could have been a long, stressful experience was made calm and relaxing... because I brought my book with me, and had the opportunity to read off and on all day, uninterrupted and guilt-free, finally finishing it...

P.S. More SMM here and here...

SONG: Travel Well by Amy Speace, Jagoda, Tom Prasada-Rao and Cary Cooper (lyrics as yet unavailable... but you can listen here...)


A valley and above it forests in autumn colors.
A voyager arrives, a map leads him there.
Or perhaps memory. Once long ago in the sun,
When snow first fell, riding this way
He felt joy, strong, without reason,
Joy of the eyes. Everything was the rhythm
Of shifting trees, of a bird in flight,
Of a train on the viaduct, a feast in motion.
He returns years later, has no demands.
He wants only one, most precious thing:
To see, purely and simply, without name,
Without expectations, fears, or hopes,
At the edge where there is no I or not-I.

QUOTE: "It is better to travel well than to arrive" ~ Buddha

Wednesday, December 3, 2008

Children, Go Where I Send Thee (Odetta)


American folk music legend Odetta dies at 77
By Polly Anderson, Associated Press Writer


NEW YORK – Odetta, the folk singer with the powerful voice who moved audiences and influenced fellow musicians for a half-century, has died. She was 77.

Odetta died Tuesday of heart disease at Lenox Hill Hospital, said her manager of 12 years, Doug Yeager. She was admitted to the hospital with kidney failure about three weeks ago, he said.
In spite of failing health that caused her to use a wheelchair, Odetta performed 60 concerts in the last two years, singing for 90 minutes at a time. Her singing ability never diminished, Yeager said.

"The power would just come out of her like people wouldn't believe," he said.

With her booming, classically trained voice and spare guitar, Odetta gave life to the songs by workingmen and slaves, farmers and miners, housewives and washerwomen, blacks and whites.
First coming to prominence in the 1950s, she influenced Harry Belafonte, Bob Dylan, Joan Baez and other singers who had roots in the folk music boom.

An Odetta record on the turntable, listeners could close their eyes and imagine themselves hearing the sounds of spirituals and blues as they rang out from a weathered back porch or around a long-vanished campfire a century before.

"What distinguished her from the start was the meticulous care with which she tried to re-create the feeling of her folk songs; to understand the emotions of a convict in a convict ditty, she once tried breaking up rocks with a sledge hammer," Time magazine wrote in 1960.

"She is a keening Irishwoman in `Foggy Dew,' a chain-gang convict in `Take This Hammer,' a deserted lover in `Lass from the Low Country,'" Time wrote.

Odetta called on her fellow blacks to "take pride in the history of the American Negro" and was active in the civil rights movement. When she sang at the March on Washington in August 1963, "Odetta's great, full-throated voice carried almost to Capitol Hill," The New York Times wrote.

She was nominated for a 1963 Grammy awards for best folk recording for "Odetta Sings Folk Songs." Two more Grammy nominations came in recent years, for her 1999 "Blues Everywhere I Go" and her 2005 album "Gonna Let It Shine."

In 1999, she was honored with a National Medal of the Arts. Then-President Bill Clinton said her career showed "us all that songs have the power to change the heart and change the world."

"I'm not a real folksinger," she told The Washington Post in 1983. "I don't mind people calling me that, but I'm a musical historian. I'm a city kid who has admired an area and who got into it. I've been fortunate. With folk music, I can do my teaching and preaching, my propagandizing."

Among her notable early works were her 1956 album "Odetta Sings Ballads and Blues," which included such songs as "Muleskinner Blues" and "Jack O' Diamonds"; and her 1957 "At the Gate of Horn," which featured the popular spiritual "He's Got the Whole World in His Hands."

Her 1965 album "Odetta Sings Dylan" included such standards as "Don't Think Twice, It's All Right," "Masters of War" and "The Times They Are A-Changin'."

In a 1978 Playboy interview, Dylan said, "the first thing that turned me on to folk singing was Odetta." He said he found "just something vital and personal" when he heard an early album of hers in a record store as a teenager. "Right then and there, I went out and traded my electric guitar and amplifier for an acoustical guitar," he said.

Belafonte also cited her as a key influence on his hugely successful recording career, and she was a guest singer on his 1960 album, "Belafonte Returns to Carnegie Hall."

She continued to record in recent years; her 2001 album "Looking for a Home (Thanks to Leadbelly)" paid tribute to the great blues singer to whom she was sometimes compared.

Odetta's last big concert was on Oct. 4 at San Francisco's Golden Gate Park, where she performed in front of tens of thousands at the Hardly Strictly Bluegrass festival, Yeager said. She also performed Oct. 25-26 in Toronto.

Odetta hoped to sing at the inauguration of President-elect Barack Obama, though she had not been officially invited, Yeager said.

Born Odetta Holmes in Birmingham, Ala., in 1930, she moved with her family to Los Angeles at age 6. Her father had died when she was young and she took her stepfather's last name, Felious.

Hearing her in glee club, a junior high teacher made sure she got music lessons, but Odetta became interested in folk music in her late teens and turned away from classical studies.

She got much of her early experience at the Turnabout Theatre in Los Angeles, where she sang and played occasional stage roles in the early 1950s.

"What power of characterization and projection of mood are hers, even though plainly clad and sitting or standing in half light!" a Los Angeles Times critic wrote in 1955.

Over the years, she picked up occasional acting roles in TV and film. None other than famed Hollywood columnist Hedda Hopper reported in 1961 that she "comes through beautifully" in the film "Sanctuary."

In the Washington Post interview, Odetta theorized that humans developed music and dance because of fear, "fear of God, fear that the sun would not come back, many things. I think it developed as a way of worship or to appease something. ... The world hasn't improved, and so there's always something to sing about."

Odetta is survived by a daughter, Michelle Esrick of New York City, and a son, Boots Jaffre, of Fort Collins, Colo. She was divorced about 40 years ago and never remarried, her manager said.

A memorial service was planned for next month, Yeager said.

Such sad news - we knew she'd been ill, as various people posted ongoing updates to the music discussion lists I subscribe to. I believe we all thought she'd make it through January, as she was slated to sing at Barack Obama's inauguration - a legend has passed, and we are mourning...

I had the pleasure and honor to hear her a few years ago at a Folk Alliance, where she'd been presented with their Lifetime Achievement award - I can't remember if she was even then confined to a wheelchair, or if she stood during her speech... but what I recall vividly is that spoke, completely extemporaneously and without benefit of notes, in an extremely articulate, eloquent and captivating manner such that she had the whole room in pin-drop silence.

P.S. D*mn, hard to believe that's Rad at the piano in the Tavis Smiley video above - he's so... so... restrained!

P.P.S. Speaking of Radoslav Lorkovic... after skipping last year, Jayne Toohey has once again released her Naked Folk Calendar - meet Mr. September... :-)

SONG:
Christmas Spirituals, sung by Odetta (I just ordered this, realizing my holiday music collection was incomplete without)

BOOK:
I Dream a World: Portraits of Black Women Who Changed America by Brian Lanker

POEM: I, Too, Sing America by Langston Hughes

I, too, sing America.

I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.

Tomorrow,
I'll be at the table
When company comes.
Nobody'll dare
Say to me,
"Eat in the kitchen,"
Then.

Besides,
They'll see how beautiful I am
And be ashamed--

I, too, am America.

QUOTE: "If only one could be sure that every 50 years a voice and a soul like Odetta's would come along, the centuries would pass so quickly and painlessly we would hardly recognize time." ~ Maya Angelou

Saturday, November 22, 2008

Midnight Radio (Stephen Trask)

From today's Writer's Almanac:

It's the feast day of Saint Cecilia, who was the patron saint of musicians because she sang to God as she died a martyr's death. She was born to a noble family in Rome near the end of the second century A.D.

She remained a virgin her whole life. When she got married, she told her new husband, Valerian, that she had a guardian angel who told her to remain a virgin. She sent her husband out to the countryside to be baptized, and when he came back, he found her in her chamber with the angel.

Both Cecilia and Valerian were martyred for their faith. First Valerian was killed, and then they tried to kill Cecilia in an overheated bathhouse, but she found the temperature pleasant. They then tried to behead her, but it didn't kill her. So they left her, and she lay there, bleeding and singing, before she finally died three days later.

Henry Purcell composed music in her honor. Raphael created a piece called "The Ecstasy of St. Cecilia." Chaucer wrote about her in the Second Nonnes Tale, part of his Canterbury Tales.

Ah, music - where/who would I be without it? I recently wrote the following in our folk club newsletter, as I attempted to pass the baton of editor (which never did happen, but that's a whole other story):

"Regardless of any official roles, I will always love the music and I spend a good bit of my day listening to and reading/writing about it - music is in my blood, my breath, my DNA. When I joined the BFC over 10 years ago, it was as an active, albeit alone, listener - my horizons have broadened beyond description and I'd like to think I'm paying it forward every time I post to the sf_folk list, attend a concert or recommend an artist...

Music is palpable and visceral and life-changing (oh my!) and it's heartening to find others who feel the way we do... w
hich brings us full circle to the life-long conundrum, attributed to many: "Talking about music is like dancing about architecture." - ultimately, just find a way to allow the notes to course through your veins on a daily basis. Sing, pick, hum, strum, twirl, bop, snap, stomp - whatever it takes to inhale, release and spread the joy... Just Do It! "

Today's song came into my life via Dar Williams' new CD, Promised Land - I recall seeing Hedwig and the Angry Inch years ago, but don't remember much. When I listened to Dar's cover of Stephen Trask's song from the soundtrack, it finally resonated - as I had the opportunity to tell Dar in Atlanta recently, I find it to be the companion piece of her Are You Out There... to which she replied: "Me too!".

When I think of my most vivid music discoveries/immersions, I recall them taking place afterhours... in the dark... in the dead of night - as Dar writes in her song-by-song interpretation of End of the Summer: "This is my ode to all the small radio stations and late night radio heroes who changed the lives of millions of kids out in the suburbs. I never knew about Vin Scelsa's show growing up, but I did discover New York's Pacifica station, WBAI, and from them I learned the "politics of love and music" and felt like a secret radical."

In her intro to the song, Dar speaks of the crackly radio waves insinuating their way through the suburban hedges into the rooms of impressionable kids - I was one of those teens affected, who felt the radio was speaking directly to me. I recall discovering WREK and WRAS, the radio stations of Georgia Tech and Georgia State (respectively), and hearing songs that moved me waaaaay out of my comfort zone (which was already pretty expansive, I believe): Jukies Ball by Dan Hicks, You've Got to Suffer if You Wanna Sing the Blues by David Bromberg, Things I Think I Think I'll Find by Eric Quincy Tate, etc. - I perked up when I heard a tune that I just *knew* had to be Joni Mitchell on harmony vocals, but I had no clue who the lead singer was (until it was announced post-set)... and I went all over town the following day, finally tracking down Blue River by Eric Andersen (still a favorite).

I remember my senior year of high school, when it seemed all we did was drive around in... ahem... "an altered state of consciousness" (and I still graduated with top honors - whew!), singing at the top of our lungs: Traffic's Low Spark of High-Heeled Boys, Elton John's Your Song, Neil Young's Heart of Gold - one night we were way out in the woods (think Blair Witch Project), passing the liquid-or-lit illegal-substance-du-jour (noir?) around... and someone had the wonderful idea of singing James Taylor's Mudslide Slim and the Blue Horizon in its entirety... which we did... :-)

I think of the hours in my college dorm room, having a Joni marathon, all her albums stacked and dropping one-by-one on the turntable spindle - I rewind to another in-the-woods experience with my then-boyfriend, now-husband, on the way to a Cat Stevens concert, unable to keep our hands off each other...

I flashback to Christmases past, decorating the tree with my children, ever-present candles and cocoa and The Roches' We Three Kings - I am reminded of many a road trip in which I am the only one awake, driving and singing to one of my latest mixes... or a Top Ten know-all-the-words-to-every-tune CD... or my iPod on shuffle.

Even today... I cry over songs in our UU hymnbook... I sigh when I listen to a favorite recording that goes straight to my heart... I grin when I hear a tune that I know will be on repeat play in my car (or kitchen boombox) until I've processed the words and melody - goddess help me, I hope I always will...

P.S. Another SMM...

[ Added 11/23/08: I found the following posted to one of my music discussion lists this morning - "Bill Moyers talks with Mark Johnson, the producer of Playing for Change, a remarkable documentary about the simple but transformative power of music." ]


Are You Out There by Dar Williams

BOOK: All Shook Up: Music, Passion, and Politics by Carson Holloway

POEM: I love the dark hours by Rainer Maria Rilke

I love the dark hours of my being.
My mind deepens into them.
There I can find, as in old letters,
the days of my life, already lived,
and held like a legend, and understood.

Then the knowing comes: I can open
to another life that's wide and timeless.

So I am sometimes like a tree
rustling over a gravesite
and making real the dream
of the one its living roots
embrace:

a dream once lost among sorrows and songs.

QUOTE: "Music is moonlight in the gloomy night of life." ~ Jean Paul Richter

Monday, November 3, 2008

Book of Love (Dar Williams)

So... here's the report on the Dar-part of my long weekend in Atlanta... :-)

We arrived at Eddie's Attic a bit before 6 p.m. (when the doors were supposed to open) and met up with my college friend Steve (who I hadn't seen in over a year) and his new wife Betty (who I'd never met) - Steve has joined us on Dar excursions in the past, so it was already shaping up to be a dear and comfortable evening. There was a young woman in a wheelchair waiting in line... and my mom, with her ongoing health issues, is now on oxygen - Eddie (the owner) and Bob (another employee) came out to carry/escort the young woman and Mom up the long flight of stairs so they could get settled before they allowed the rest of the crowd to enter (very thoughtful and classy).

Our reserved table was about three rows back (what a wonderful, intimate listening room!), with Steve and Betty right behind us… and I had a chance to catch up a bit with Blair, there with her husband Jason (impossible to believe her Nora is already 2 years old!) - we ordered drinks and dinner and, while we were waiting for the food to arrive, Betty and I decided to check out the merch table before the show started.

I was trying to decide which T-shirt to buy (I finally settled on the short-sleeved blue with the tree coming out of the writing woman’s head – okay, that sounds strange, but it’s very cool) – the fine print on the care instructions tag reads: “Take care of your shirt and the earth: wash cold and hang dry. Take care of yourself: eat good food and make sure to rest sometimes.”… and being bamboo/hemp/organic cotton… it is, as Amy W. noted in a previous post, amazingly soft… :-)

But I digress: as I was chatting with the merch girl (hi, Orrie!), who already had a semester off school and decided to quit her job at Starbucks to take advantage of the opportunity to tour with Dar… I heard someone behind me say, “There she is…” and it was Dar! – we hugged and chatted and I had the occasion to remind her of a song request I’d e-mailed to Patty to pass on… as well as discuss a potential Florida show (fingers crossed!). I asked if she’d be doing a meet-and-greet between shows, since we were only staying for the All Ages first one (and sweet sharon goldberg had sent me Promised Land posters, which I hoped to get signed) – she said she wasn’t intending to be visible at that time, but told me where we could find her. We said goodbye and I purchased my shirt and went back in, just as Eddie was introducing Dar…

The set list was pretty much as I’ve seen posted here for previous shows – Heather Lloyd (who has another musical incarnation at http://www.ilyaimy.com/) was terrific on djembe and harmony vocals, subtle when called for and strong when required. Bryn Roberts was equally captivating on keyboards and harmony vocals – I especially loved watching him watching Dar tell her always-charming between-song-stories, and delighting in the audience reaction.

Since it was the early show, there was no opening act but, since the tour up to this point had included Shawn Mullins (and he’s an Atlantan), he sang a few songs with Dar and then showcased one of his tunes, Beautiful Wreck, on which Dar harmonized – Dar quipped afterwards that it wasn’t a good song to have eye contact on… “you’re a beautiful wreck”… “no, *you’re* a beautiful wreck”… :-)

And the moment came where Dar began the story of Vince Gill and Amy Grant having a baby… so I knew what was to follow… and she then said, “this song is a request from Susan Moss to her mother Connie” (it was from Mari and Julia too), nodded in Mom’s direction, saying “it’s good to see you again” (they’d met a few years back at The Variety Playhouse) and proceeded to play The One Who Knows, at which point Mari and I started to weep… and Julia looked at each of us, wondering what was going on. Mom semi-gasped an “oh”… then “thanks, Dar”… then grabbed my hand… then *she* started crying – Dar followed this with The Babysitter’s Here, which we’ve always considered “Julia’s song”. Someone later asked if we were four generations – I said no, only three but that, since I was 13 years older, I’d always considered myself Mari’s second mother anyway (which Mari can confirm)...

The audience was enthusiastic (our show as well as the next was sold out) and Dar was relaxed, in stunning voice and appreciative of the warm reception – we filed out as they prepared for the second show and spotted Dar in a corner of the bar area, whereupon she nodded to us (Mari, Julia, Betty and me) to come over, where we chatted some more, she signed our posters and Julia had a chance to tell Dar she did a book report on Amalee (which I’d given as a birthday present a few years ago). The second show was fast approaching and we reluctantly said goodbye, chattering excitedly and sighing blissfully on the 45-minute drive home.

Thanks, Mom, for raising us to be Ones Who Know… thanks, Mari, for all the driving (and *so* much more!)… and thanks, Julia, for being the coolest kid ever – thanks to Dar for providing us with yet another occasion to make memories… <3

P.S. And another Star Maker Machine post - yay!



POEM: Autumn Quince by Jane HirscLhfield

How sad they are,
the promises we never return to.
They stay in our mouths,
roughen the tongue, lead lives of their own.
Houses built and unwittingly lived in;
a succession of milk bottles brought to the door
every morning and taken inside.

And which one is real?
The music in the composer's ear
or the lapsed piece the orchestra plays?
The world is a blurred version of itself --
marred, lovely, and flawed.
It is enough.

QUOTE: "Never make your home in a place. Make a home for yourself inside your own head. You'll find what you need to furnish it - memory, friends you can trust, love of learning, and other such things. That way it will go with you wherever you journey." ~ Tad Williams

Saturday, August 30, 2008

(I Can't Get No) Satisfaction (The Rolling Stones)


Loved this article! - FYI, for my friends reading this: should I ever slip into a coma, I hope you know which song I'd like on Repeat Play until I wake up - Love Shack, baby ("tin roof, rusted"... :-)

Rolling Stones classic wakes grandfather from coma
A 60-year-old grandfather woke up from a 10-week coma after his favourite Rolling Stones song was blared into his ears.

By Chris Irvine, 07 Aug 2008

Sam Carter lost consciousness after contracting severe anaemia but was brought back to life when "(I Can't Get No) Satisfaction" was blared into his ears.

The anthem was the first single the retired baker from Stoke in Staffordshire ever bought, released in 1965 when he was just 17.

Despite only being given a 30 per cent chance of survival, he woke from his coma after his wife Eva, 65, took the doctor's advice and played him his favourite tunes through a set of earphones.

After three days of listening to the local Stoke station Signal 2, his eyes opened as soon as he heard the sound of Mick Jagger's vocals and Keith Richards' guitar riff.

Sam said: "I can't remember much from being in a coma, but I do remember that when that song came on it took me right back to when I was a youngster.

"I could remember how excited I was to get it down at the record shop.

"I suddenly had a burst of energy and knew I had a lot more life left in me and that's when I woke up - to the sound of the first song I ever bought."

Sam, who has three children and six grandchildren, added: "I would love to thank Mick and the rest of the Stones personally - I feel they really did help wake me from my coma."

Wife Eva said she had switched on the radio at Stoke's City General Hospital in a last-ditch attempt to bring him back a fortnight ago, after growing increasingly frustrated with his lack of progress.

She said: "I didn't really think it would work.

"I couldn't believe it when he started opening his eyes and looked at me. It was like we had been given another chance."

SONG: (I Can't Get No) Satisfaction by The Rolling Stones

BOOK: Time Flies When You're in a Coma: The Wisdom of the Metal Gods by Mike Daly (author), Mark Weiss (photographer)

POEM: Chrysalis by Joan Murray

1
It's mid-September, and in the Magic Wing Butterfly Conservancy
in Deerfield, Massachusetts, the woman at the register
is ringing up the items of a small girl and her mother.
There are pencils and postcards and a paperweight--
all with butterflies--and, chilly but alive,
three monarch caterpillars--in small white boxes
with cellophane tops, and holes punched in their sides.
The girl keeps rearranging them like a shell game
while the cashier chats with her mother: "They have to
feed on milkweed--you can buy it in the nursery outside."
"We've got a field behind our house," the mother answers.
The cashier smiles to show she didn't need the sale:
"And in no time, they'll be on their way to Brazil or Argentina--
or wherever they go--" ("to Mexico," says the girl,
though she's ignored) "and you can watch them
do their thing till they're ready to fly."

2
I remember the monarchs my son and I brought in one summer
on bright pink flowers we'd picked along the swamp
on Yetter's farm. We were "city folks," eager for nature
and ignorant--we left our TV home--and left the flowers
in a jar on the dry sink in the trailer. We never noticed the
caterpillars
till we puzzled out the mystery of the small black things
on the marble top--which turned out to be their droppings.
And soon, three pale green dollops hung from the carved-out leaves,
each studded with four gold beads--so gold they looked to be
mineral--not animal--a miracle that kept us amazed
as the walls grew clear and the transformed things broke through,
pumped fluid in their wings, dried off--and flew.
I gauge from that memory that it will be next month
before the girls are "ready." I wonder how they'll "fly"
when there's been frost. "And they'll come back next summer,"
the cashier says, "to the very same field--they always do."
I'm sure that isn't true. But why punch holes
in our little hopes when we have so few?

3
Next month, my mother will have a hole put in her skull
to drain the fluid that's been weighing on her brain.
All summer, she's lain in one hospital or another--
yet the old complainer's never complained.
In Mather, the woman beside her spent a week in a coma,
wrapped like a white cocoon with an open mouth
(a nurse came now and then to dab the drool).
My mother claimed the woman's husband was there too--
"doing what they do"--though it didn't annoy her.
Now she's in Stony Brook--on the eighteenth floor.
I realize I don't know her anymore. When she beat against
the window to break through, they had to strap her down
--and yet how happy and how likeable she's become.
When I visit, I spend my nights in her empty house--
in the bed she and my father used to share. Perhaps they're
there. Perhaps we do come back year after year
to do what we've always done--if we can't make
our way to kingdom come, or lose ourselves altogether.

QUOTE: "There is nothing in the world so much like prayer as music is." ~ William P. Merrill